31 Days of Horror: The Final Countdown

This post contains Amazon Affiliate links. I am an Amazon Affiliate and will receive earnings on any purchases made through those links. I appreciate your support and hope you enjoy the article on the 31 Days of Horror.

We’re back this week with the next seven movies in this year’s 31 Days of Horror. This is the third iteration of the 31 Days of Horror; you can find the one chock full of classics here. As for this year, we have classics, newbies and deeper cuts peppered in here and there. You can check out the first week here, the second week here and the third week here if you see a movie you missed on the calendar below.

Now let’s finish this thing with the final ten days of October–eh hem, I mean horror.

October 22nd: Alice Sweet Alice (1976)

Alice, Sweet Alice (1976) | MUBI

Whether you have seen this film or not, one can agree that this film has one of the creepiest masks of all time. Alice Sweet Alice is an underrated gem that tackles head on Catholic thought and the effect of sin–not to mention it’s a great slasher film as well. On the day of her first communion, sweet Karen is strangled to death and a string of murders break out with her jealous sister Alice as a suspect. From then on, a strange timeline of events occurs. Inspired by Don’t Look Now and Hitchcock, Alice Sweet Alice has plenty of twists and turns throughout its runtime while being surreal to the eye at the same time.

For food, I did a lot of digging as to what is served at a first communion and such. Turns out, ham is one of the top things, so let’s make it ultra-tasty with these Baked Ham and Cheese Sliders that keep things handheld and also incorporated the bread aspect of communion. Next comes the wine, and while you can sip on a nice glass of red wine during this film, jazz things up a bit with this red wine cocktail the 1870 Sour. If you still want some grape juice but the non-boozy kind, craft up this Grape Lime Rickey Mocktail. For a double feature for this film, why not try some more Argento with Deep Red?

Add Alice Sweet Alice to your physical collection or you can rent it on Amazon Video. Check out this creepy baby doll sticker here on Redbubble.

October 23rd: The VVitch (2015)

Robert Eggers on The Witch - Projected Figures

Before The Lighthouse, Robert Eggers created one of the most iconic horror films from the 21st century. The VVitch is a beautiful film as much as it is a suspenseful one. Arthouse horror meets a colonial period piece, in which the eldest sister in a Puritan family is blamed for the youngest sibling’s disappearance. Hysteria breaks out amongst the family, and it leads to dire consequences as their greatest fears manifest once spoken. This one is a slow burn, but the ending rewards us with a great payoff. You also will never fear a goat more.

This film caused me to deep dive into colonial times and try to find recipes. While majority were either basic or disgusting, I dug out a few that will help us live deliciously. First off, party like a revolutionary with this Philadelphia Fish House Punch. If this doesn’t tickle your taste buds, try out something new and follow this Mom’s Homemade Apple Cider to make some cider for this film and beyond. I went for something sweet and crowd pleasing with these Colonial American Molasses Cookies–because who can resist cookies?

You can rent The Witch on Amazon Video or have it as an arthouse gem on your shelf by purchasing it here. You can also check out the design I made around this film on Redbubble.

October 24th: A Classic Horror Story (2021)

Watch A Classic Horror Story | Netflix Official Site

If you would’ve told me a decade ago that Netflix would release its own Giallo-style film, I wouldn’t have believed you. However, they gave us A Classic Horror Story in 2021. A fusion of genres and a wicked good time, A Classic Horror Story is a must watch if you’re in the mood for something more brutal. Strangers getting stranded in the woods as they fight for survival–a very basic premise that we’ve seen time and time again. However, we’re in Southern Italy this time. There’s not much more I can say, it is full of tropes and homages that it will feel familiar and new at the same time. The perfect kind of watch for spooky season.

I got way too into the Italy setting for this film which has led to some of the tastiest pairs yet. For our snacks, we had to get some variety up in here. Therefore, follow this Crostini 8 Ways recipe and have a display of colors. Pair it with a refreshing Limoncello Lemon Drop or if you want to relax the zero-proof way, try out this Italian Strawberry Basil Shrub–shrubs are the best. As for a double feature, go ahead and check out Haunt to see tropes subverted in a different way. It’s gonna be a spooky night!

Check out A Classic Horror Story on Netflix. You can check out my very simple-but-cool design on Redbubble.

October 25th: Train to Busan (2016)

Train to Busan (2016) - IMDb

Ready to watch one of the best zombie flicks of all time? Train to Busan is a harrowing, intense and beautiful experience that took the world by storm eight years ago. South Korea has been attacked by a viral outbreak and have established a Safe Zone in Busan. When passengers try to take a bullet train to this safe zone, an outbreak occurs on the train itself, leaving them trapped in a dire situation. This film will grab onto you and not let go during its runtime–probably cause a few tears to shed as well.

From Italy to South Korea, we have a complete change of culinary scene. For the drink, I found this Makgeolli Old Fashioned which can add a nice bitterness to the semi-sweet rice wine. If we are looking for something a bit sweeter and fall-like on the booze area, look for Kuk Soon Dang’s Babamba (Chestnut) or Jolly Pong makgeollis in your local Asian grocery store. Pick up Milkis Drinks while you’re there or order them off Amazon–they’re a great non-alcoholic choice for viewing. As for the snack, I was recently introduced to Korean Cheesy Corn and it is simple but game changing. Try it out immediately. For the double feature, I have to recommend another stellar South Korean horror, The Wailing–just make sure that you hydrate properly as I’ve sent you on a pathway of tears and sadness.

You can rent Train to Busan on Amazon Video or have it proudly on display on your shelf by buying it physically here. I designed a spoiler free design on Redbubble.

October 26th: Werewolves Within (2021)

Werewolves Within' Review: Small-Town Chaos - The New York Times

Usually, I am not one for video game adaptations, but this one truly is a treat. This film was one of my favorite releases during the pandemic and is worth a regular spot in your Halloween rotation. A newly hired forest ranger and postal worker get snowed in with the residents of a small town who are being terrorized and attacked by a vicious beast–a presumed werewolf to be specific. It’s a romp with a touch of whodunit that is simply irresistible. It also might have you side eyeing your neighbors if you happen to live in a town with a similar vibe as this one.

This film does take place in a snow-covered winter horror land, so it’s not just you that’s feeling cold. Warm up with these tasty hot drinks. While I am not the hugest hot toddy fan, this Fire Cider Toddy sounded oh-so-intriguing. If we’re not fancying that, opt out for a Hot Buttered Pineapple Mocktail which can easily be made boozy with a touch of rum. As for food, it seems like every small town has a bar that has surprisingly good food. Therefore, let’s class the pub fare with these Gooey Manchego Cheese Fritters. I want these at every bar ever.

You can rent Werewolves Within on Amazon Video or share it with your friends with a Blu-Ray they may never return by purchasing it here. I did a fun little design for this one which you can check out on Redbubble.

October 27th: The Black Phone (2022)

The Black Phone' Review: The Dead Have Your Number - The New York Times

I’m sure this has been on your radar this year. This was a killer psychological horror-thriller that brought us spooky season three months early. Ethan Hawke kills it (and others) in this film, solidifying that him and Scott Derrickson equals gold. The Black Phone is a slow, vintage feeling burn that has outstanding performances with a brief look into a psyche of a serial killer. You can read my in-depth post over this movie here if you want more details, but I think it’s best to go into this film not knowing what to expect.

We’re in the seventies, baby. They year is 1978, and disco has taken the world by storm. Therefore, we have to celebrate the birth of the Harvey Wallbanger, a blend of OJ and Galliano to make a creamsicle goodie. If you’re wanting even more of a throwback, you can opt out of the alcohol and make an American classic: an Orange Julius. On top of everything, everything ‘Hawaii’ (more Hawaiian pizza rather than actual Hawaii) was popular during this time. So, go retro with your snack choice with this Hawaiian Cheese Bread. The double feature for this one is another Derrickson/Hawke collab, Sinister.

You can rent The Black Phone on Amazon Video or shelve it next to your other horror films using this link. I think this design made itself.

October 28th: The Lost Boys (1987)

The Lost Boys' Coming Back to the Big Screen With New Movie Starring 'Quiet  Place' and 'It' Actors! - Bloody Disgusting

SAY HELLO TO THE NIGHT. LOST IN THE SHAAAADOWS. This incredible movie and its soundtrack turn 35 this year. This definitely is my favorite vampire flick and is a must watch–Kiefer Sutherland, Jami Gertz and Jason Patric are snacks in this film. A single mom moves to Santa Carla, California with her two sons. The town happens to be the murder capital of the world with plenty of people missing or dead. The reason? All the damn vampires. It’s a fun time with a sexy shirtless sax man. Who could ask for more?

The Lost Boys reminds of two things: Chinese food and California. What’s the fusion of those two things? Obviously, the Cheesecake Factory classic, Avocado Egg Rolls. They’re big enough to not think you’re eating worms or maggots. Pair that with an on-theme cocktail appropriately named The Bloody Vampire. You don’t need to bite into a bald man’s head to get that kind of blood. If you prefer no spice in your blood, cut the alcohol and indulge in the Vampire’s Kiss Mocktail. The double feature for this one is so cool, Brewster. Indulge in the original Fright Night to add to the 80s flair or go for the remake for a fun modern twist.

You can rent The Lost Boys on Amazon Video or buy it on Amazon so you can look at the sexy vampires any time you want to. Have your own carton of maggots with this design on Redbubble.

October 29th: Trick ‘r’ Treat

In Praise of Trick 'r Treat, the Ultimate "Halloween Night" Movie - Paste

This. This film is the ideal Halloween movie and I stand by that. An anthology horror tale meets a comic book tone laced with camp and comedy. All the tales intertwine with each other and blossoms into this fun twist on Halloween traditions. Not to mention, it introduces one of the most adorable horror villains, Sam. All you gotta do is follow the rules to avoid his bloody wrath. Simple enough, but a colorful cast of characters seem to make things a little difficult for Sam to catch up. I could watch this film over and over during October, so therefore it is an annual tradition of mine.

As far as snacks and drinks go, we have to let the Halloween flag fly. I found a spooky cocktail complete with theatrics known as The Witch’s Heart. Purple, spooky and bubbling with delight. If we are craving the sweeter style of life, I also found this lovely Pumpkin Milkshake. Since this film is a grab-bag of spooky delight, snack on this Sweet and Salty Halloween Snack Mix. As far as fun films suited for spooky season go, my double feature for this film is a guilty pleasure for many, and that is the 2001 film Thirteen Ghosts. The ending of this film is very bleh, but Matthew Lillard is a yes in my book.

Rent Trick ‘r’ Treat on Amazon Video or get it physically following the link here. I watched it as a bought Blockbuster exclusive back in the day–the true straight-to-DVD experience. Check out the design I made on Redbubble and always remember to check your candy.

October 30th: Ouija: Origin of Evil (2016)

Ouija: Origin of Evil' review

There are times that sequels are miles better than the original. This is one of those times. If you haven’t seen Ouija: Origin of Evil based on the first film, I don’t blame you. Ouija is a very bad movie. However, this film is one of the best PG-13 horrors out there. Leave it to Mike Flanagan to make a great film from the ashes of a failed one. A 1960s period piece meets a possession film sponsored by Hasbro themselves. That’s the most generic I can describe it, but it truly is a spooky treat you should indulge in.

If we’re going back to the 60’s, we’re doing it right. A very popular cocktail got its rise to fame during this decade, and that is the decedent Sidecar. You can obtain a non-alcoholic version by following this Virgin Sidecar recipe. Cheeseballs also rose to fame too, but the grandpappy of cheeseballs will add the spice that will meet what this film brings. That is the classic Pimento Cheese Spread, which is versatile and makes great leftovers. I praise Flanagan at any chance I can get, so the double feature has to be Hush, which is a great, smart slasher film.

Rent Ouija: Origin of Evil on Amazon Video or buy it physically using this link. If you want to mess around with one yourself (you could never convince me to), you can get your own here but be very careful and look into it beforehand. I did another peekaboo design for this one, look closely.

October 31st: Halloween

Halloween' 1978: The Times Finally Reviews a Horror Classic - The New York  Times

You had to see this coming, whether or not you paid attention to the calendar. John Carpenter’s Halloween is a tried and true masterpiece that has served influence for hundreds of horror films, so it is always a good call to re-watch it come Halloween time. What’s not a better time than actual Halloween night? It’s the tale of Michael Myers that feels even fresher than before with its new sequel that came out only a week ago, so the time is better than ever to revisit the original!

The obvious double feature is a quadruple feature with the 2018 Halloween, Halloween Kills and Halloween Ends following up the classic (although you can skip the last one if you’d like). This is a night to go all out, but sometimes you want a quieter night in, so let’s pair this up with some Michael Myers Jell-O Shots to add to some booze to your snacks. A mocktail for the night is the Cereal Killer (minus the Cognac) or plus the Cognac if we want another cocktail for the night. To up the comfort and the tasty treats, snack on some adorable Ghost Pizza Bagels. Be sure to toast to Michael all dressed up in his ghost costume.

I went surprisingly cute with this design and recreated him all dressed up. You can rent Halloween on Amazon Video or have it at the ready every Halloween by owning it physically.


Conclusion

So that wraps up this October! Everyone, have a safe and spooky Halloween and watch as many horror movies as you can! I’m going to be taking the holiday weekend off but expect me to be back the Friday after Halloween. Scroll on back up if you want to see about other films that you might have missed or jump back to Week One if you want to see what’s going on with last year’s 31 Days of Horror. It was a great time, thank you for your support and keep things spooky, spelunkers.

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horror filled tomorrow. See ya next time.

31 Days of Horror ’22: Diving into Week Three

This post contains Amazon Affiliate links. I am an Amazon Affiliate and will receive earnings on any purchases made through those links. I appreciate your support and hope you enjoy the article on the 31 Days of Horror.

We’re back this week with the next seven movies in this year’s 31 Days of Horror. This is the third iteration of the 31 Days of Horror; you can find the one chock full of classics here. As for this year, we have classics, newbies and deeper cuts peppered in here and there. You can check out the first week here and the second week here if you see a movie you missed on the calendar below.

There will be one more post after this one: The Final Ten Days. Now that that’s established, let’s go ahead with days 15-21.

A Micro-rant from The Void

For those that are going to stay away from some of these films because of tiny little words you have to read, please try and push yourself to do so. There will be subtitled movies in this week as well as next week, and if you aren’t open to subtitles, you’re going to miss out on a lot of good horror. As Bong Joon Ho said, “Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.” Alright, micro rant over, let’s get to the goodies.

October 15th: The Slumber party massacre (1982)

The Slumber Party Massacre': Slashing the Patriarchy - Bloody Disgusting

We’re cheesin’ it up with a cult classic: The Slumber Party Massacre. A film in which was written as a parody but then shot as if it was a slasher. Therefore, it is hilarious and has quite a bit of meta humor before the time meta-horror was popular. There isn’t much to say for plot as the title gives it away immediately but be prepared for a hilariously cheesy and somewhat bad movie that is fun, nonetheless. A charming example of communication is crucial in the filmmaking business.

How about a slumber party where no one gets murdered? First off, the food of a sleepover is definitely pizza. Therefore, try out these dunkable Pizza Bites that keeps that lovely greasy goodness all folded into the dough for a relatively mess free snack. You gotta add a little sin to the party, so try out this sweet Malibu Sunset–doesn’t even taste like booze which is every young drinker’s dream. If you’re not into the drinking thing, that’s alright too–I found this Virgin Sunset for you. To keep up with classic 80s slashers, the double feature has to be Prom Night to double down on the fun and comfort cheesy slasher films can bring.

You can rent The Slumber Party Massacre on Amazon Video or flaunt that you’re cultured in the genre by adding it to your collection here. Check out the custom sticker I made for this romp of a film on Redbubble.

October 16th: THe Omen (1976)

The Ace Black Movie Blog: Movie Review: The Omen (1976)

Alright, fun and games are over. When it comes to classic horror films, The Omen ranks up there. A very dreadful story that doubles as birth control, this had to make the list this year. Evil children are always creepy, but the Devil in an actual child? Absolutely terrifying. The more stressful element is for the parents–how do you handle this situation? The Omen deals with that stress throughout its runtime and it is a very worthwhile watch. It might have you side eyeing your little ones, however.

We’re dealing in terms of heaven and hell here, folks. Protect yourself by drinking this Sainte Trinite cocktail which has to be just as effective as holy water. You can make an ode to Mother Mary herself if you prefer the alcohol-less route with this Virgin Mary Mocktail. We can’t have it all pure up in here however, as we want to convince Damien we’re on his good side. Make a dish in his honor with these ‘Devil’ Deviled Eggs–a deviled egg recipe with a twist. The double feature has to do with evil children as well, but she wasn’t born evil. Go visit Regan with The Exorcist.

Rent The Omen on Amazon Video and if it isn’t in your physical collection already, you can get that here. You guessed it, I did make a design for this one too.

October 17th: Raw (2016)

Raw (2016) is a Radical Coming of Age Horror Film That Gives Women Power  Over Their Desires – Flip Screen

This one is a doozy. Raw is one of the best horror films I’ve seen in recent years, and it is also one of the most disgusting. A vegetarian freshman is hazed to eat raw meat upon her arrival at university. After ingesting, she develops an animalistic craving for flesh–both animal and human. Quite an interesting take on a coming-of-age film. This is Julia Ducournau’s debut feature-length film, who recently released the bonkers Titane in 2021. However, it seems like she’s been in the game for years as she never fails once in this movie to intrigue and terrify.

This is a French film, so it’s time to indulge in some French food. I decided to go vegetarian as meat might not be appetizing during this film’s run. Therefore, check out this savory Triple-Threat Onion Galette and snack on it if you’re not queasy. This is also a college film, and you might need to remember your college years in order to forget Justine’s. Get a big group and plan a sleepover, then make the iconic college party drink Hop, Skip and Go Naked–which contains a lot of booze. If it’s just you and a buddy, however, indulge in this Blood Orange Lemonade which you can keep as is or add booze to take off the edge. Cannibalism is a rough topic, but fascinating, nonetheless. A double feature to stay on topic but lighten it up is the cult classic Parents.

You can check Raw out on Amazon Video or add some surreal culture to your shelf by adding it to your physical collection here. You can check out my slick typography design for this film here on Redbubble.

October 18th: Shutter (2004)

Fatal Frame: Chilling Thai Horror Film 'Shutter' Turns 15 - Bloody  Disgusting

At the turn of the century, there was quite a boom of Asian horror. We got Ringu and Ju-On: The Grudge from Japan, but what about the other countries? Out comes Shutter from Thailand. A ghost story that has to do with cameras is sure enough to give you the creeps. Shutter follows Jane and her boyfriend, Tun after Jane hits someone with her car and murders her. Noticing that there are figures appearing in the background of her boyfriend’s photographs, she fears it is the vengeful spirit of the young girl she hit. This one is twisty turn-y and is a must watch for any horror fan.

Thai horror needs to be accompanied with some Thai food. Make these easy Chicken Satay skewers to snack on–they make great leftovers as they are delicious cold. Try something new with this refreshing Sabai Sabai Cocktail. If you’re not into the alcohol side of things, Thailand has quite an array of mocktails including this Ko Tao Mocktail. Continue down the path of Thai horror and check out another spooky tale, The Unseeable.

Rent Shutter on Vudu as it is unavailable on Amazon at the moment. This design for this film brings more to the eye, make sure to look closely on Redbubble.

October 19th: Nope (2022)

Film review: Jordan Peele's 'Nope' provides unsettling social commentary  with strong execution - Daily Bruin

If you’re a regular, you know that I loved this film. I understand it is one of the more polarizing films of the year, but NOPE toes the line between disturbing and hilarious during its entire runtime. A pair of siblings take over their family business after their father dies in a freak accident. Upon the opening of a theme park near their property, they see something Not Of Planet Earth lurking in the hills. The thing that makes this film disturbing is best kept secret until after watching, but you can read all about that scene here.

Upon viewing, I HAD to know what a Cactus ICEE tasted like. Well, this Prickly Pear Frozen Margarita will have to do instead, especially since the original probably didn’t have booze. I sure as hell wouldn’t give Jupe a liquor license. If booze doesn’t suit your fancy, try out this Prickly Pear and Coconut Water Smoothie. The theme park gave me discount Knott’s Berry Farm vibes, so I had to go with a Dupe of Knott’s Berry Farm Boysenberry BBQ Meatballs since no one does crazy theming better than Knott’s. For this film, I wanted to pair it with another creature feature. Therefore, be sure to check out The Host from the genius Bong Joon Ho.

You can now watch Nope on Amazon Video or complete your Jordan Peele collection by adorning it on your shelf which you can purchase here. This is the film that caused me to start these designs, so check out the OG Gordy’s Home design on Redbubble.

October 20th: Suspiria (1977)

Suspiria - Horror

Ah, Argento. Suspiria remains as one of the prettiest horror films out there. The colors, the geometric patterns and the groundbreaking cinematography in this film continues to influence the world around it and even inspire a remake in 2019 (which is also quite good). An elite ballet school has a violent, brutal secret lurking in every room, and we follow Suzy as she unravels the knots and discovers the truth–and it has to do with some freaky witchcraft. It’s a slower burn, but has some of the most brutal and iconic death scenes of all time.

Class it up with this Ballerina Wine Cocktail that is an easy sipper to nurse throughout the movie. If you’re not into an herbal wine drink, try this Pumpkin Witch’s Brew to become one with the coven. It does take place in Germany as well, so eat something that a ballerina probably wouldn’t eat with this German Beer Cheese Spread–versatile with multiple types of carbs. The double feature is another mystery-horror with its twists and turns and that is Edgar Wright’s Last Night in Soho, so have fun with these girls really going crazy.

Watch Suspiria on Tubi (the only platform to have Suspiria?) or have it on your shelf alongside your other Giallo films by purchasing the physical version here. I did a rather classy, painting-style design for this one, so be sure to check it out on Redbubble.

October 21st: His House (2020)

His House (2020) - Horror Movies

This was a surprise from Netflix after an overall lull in their original movies. His House is filled with terror and rich with metaphor. A couple who has escaped from South Sudan takes refuge in a quaint English town. Haunted by the death of their daughter, they struggle to adjust and take different methods of coping. However, their house seems to be haunted, and the thing haunting it is something truly evil. This is an intense, surreal ride, so try to pay attention during the times you’re able to keep your eyes on the screen.

For this film, we are blending an English drink with a South Sudanese treat. When I think of English cocktails, I immediately think of a Pimm’s Cup–a perfect tasty blend of herbs, spices and booze. Believe it or not, I found a Virgin Pimm’s as well that emulates that complexity in flavors as well. You can usually find Pimm’s rather easily in the US at specialty liquor stores. As for food, we’re going sweet with this delicious Sudanese Kahk–a recipe that might contribute to your Christmas baking as well. Shape them with these spooky cookie cutters. I chose another Netflix original turned modern horror essential with The Ritual.

You can watch His House on Netflix–a platform that sadly doesn’t have any physical copies readily available. You can check out my original design here on Redbubble.

Coming Up Next

So, there’s the third week of the 31 Days of Horror here on The Void of Celluloid. Hopefully this spawned some ideas on what to make for any upcoming movie nights this spooky season. For those that like to go hard and celebrate every day like me, go for it–I have given you the tools. We had Week 1 and Week 2, coming up next are The Final Ten Days which will be linked respectively once published.

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horror filled tomorrow. See ya next time.

31 Days of Horror ’22: Week Two

This post contains Amazon Affiliate links. I am an Amazon Affiliate and will receive earnings on any purchases made through those links. I appreciate your support and hope you enjoy the article.

We’re back this week with the next seven movies in this year’s 31 Days of Horror. This is the second iteration of the 31 Days of Horror; you can find the one chock full of classics here. As for this year, we have classics, newbies and deeper cuts peppered in here and there. You can check out the first week here if you see a movie you missed on the calendar below.

There will be two more posts after this one: Week 3 and The Final Ten Days. Now that that’s established, let’s go ahead with days 8-14.

October 8th: The Funhouse (1981)

The Funhouse (1981) [31 Days of Gore] – The Goug' Blog

There is something cheesy and fun about this next film. The Funhouse from Tobe Hooper has quite a cult following and holds up as a creepy, odd film from the 80s. This is the film that put Hooper more prominently on Spielberg’s radar for Poltergeist, so you know it has to be good. Creepy clown like figures, terrifying animatronics and one helluva monster makes this a romp that one won’t forget. This definitely a sleeper hit from the slasher surge.

Of course, we have to lean in on the circus theme. Clowns always scare me, so I had to have my liquid courage based around the freaky guys. Therefore, go with the Clown Car Cocktail or if you are brave enough, go with the non-alcoholic Cranberry Clown Mocktail. Now, everyone loves a good snack mix. This one is on theme and does contain some polarizing things, so make adjustments as necessary. This Circus Snack Mix has the cherished (or dreaded) Circus Peanuts and other fun bits and bobs. In order to make this an epic double feature, pair this film with the wacky Killer Klowns from Outer Space.

Rent The Funhouse here on Amazon Video or own it in its newly 4K remastered version here. I made a design for this one as well featuring the creature itself, which you can check out here on Redbubble.

October 9th: Hereditary (2018)

Review: In 'Hereditary,' the Horror Is Slow-Cooked and Homemade - The New  York Times

Yes, this movie. It’s a slow burn, but good god does it pay off. I am an Ari Aster fan here and have rewatched both this and Midsommar multiple times whenever I’m in a mood to get disturbed. Hereditary is an intense film that deals with possession in multiple versions. That’s about all I can say without giving anything away, because if you haven’t seen this film, it will impact you the best if you go in blind. It’s a slow burn but stick with it as the last 15 minutes are some of the most intense minutes in film history.

For this one, I have an interesting cocktail that is directly inspired by the film: the Hail Paimon Cocktail. If the mixture of pomegranate and peanut butter into a shooter doesn’t sound like your style, maybe just stick with the peanut butter with this non-alcoholic Peanut Butter Milkshake that you COULD make alcoholic by adding a bit of Skrewball. Now, to honor Charlie, make these Homemade Devil Cremes and make sure NOT to put nuts in them.

You can rent Hereditary on Amazon Video and you need to add it to your physical collection ASAP if you want some brownie points with the cool indie kids. Buy it here. As for the design? I leaned way more on the inside joke side as it is a heavy supplied topic on Redbubble–check it out here.

October 10th: Green Room (2015)

Green Room (2015) - IMDb

This film is fantastic and seems to be forgotten. Brutal as can be, Green Room leans more like a thriller than a horror if you subtract the gore and violence. A punk band have a gig at a bar in the middle-of-nowhere Oregon (my state!). Little did they realize that the bar is a Neo-Nazi bar and the band they’re opening for falls swiftly in that genre as well. Deciding to take the gig anyways–to quote Stephen Stills, “a gig is a gig is a gig is a gig,”–they end up having to fight for their lives as the crowd is deadly. It’s an intense one as well as another A24 film.

For the food, we have to go hardcore punk in solidarity for this poor band. Therefore, I’ve gone with the strong but tasty Ankle Breaker Cocktail. Not into the booze? That’s alright, you can still be punk rock with this Molotov Mocktail. To echo the wish of them playing at a normal dive bar rather than this hellhole, we paired it all with these White Castle Copycats–a crowd-pleaser and made to accompany alcohol. Now for this double feature, I’m going a little lighter as I want to honor the late Anton Yelchin that delivers in this role and going with Odd Thomas–a cute but creepy flick.

Rent Green Room on Amazon Video or add it to your now growing A24 physical collection here. I also designed a very simple but very reliable design for this one. Check it out here on Redbubble.

October 11th: Ganja and Hess (1973)

BLACK HISTORY MONTH – GANJA & HESS — Beyond The Void Horror Podcast

Ganja and Hess came to my attention with the release of Clipping’s album There Existed an Addiction to Blood and I’ve been hooked ever since. This film is one of the most famous blaxploitation horror films out there and was released a year after Blacula. Dr. Hess Green gets stabbed with an ancient dagger by his unstable assistant and becomes a vampire. After the assistant goes missing, his wife Ganja Meda goes looking for him and falls in love with Dr. Green–who turns her into a vampire as well. It is a fascinating film with beautiful imagery and luscious symbolism. It was also remade by Spike Lee as Da Sweet Blood of Jesus, but due to critical reception, you’re better off sticking with the classic.

Want a bloodthirst just as mighty as our vampire lovers? Check out this macabre Vampire Vodka with a Syringe of ‘Blood’ which has a fun interactive element that will win over guests in a heartbeat. If you don’t need the heat of alcohol with your blood, try out this Raspberry Mojito Mocktail with the syringe instead. In order to continue your feast of blood, try out this sweet and salty Bloody Popcorn. For a double feature, you’re going to want more Duane Jones in your life. Therefore, pair this with the original Night of the Living Dead.

You can rent Ganja and Hess on Amazon Video or have it adorned on your entertainment center by purchasing it here. Listen to Clipping’s There Existed an Addiction to Blood to get into the spooky mood with some experimental noise rap that has killer bars. I did do a design for this film as well, can’t stop, won’t stop.

October 12th: Jennifer’s Body (2009)

Horror

I know a lot of people who have a soft spot for this film, myself included. Jennifer’s Body is a good time. Filled to the brim with cringy noughties’ humor and a film that has earned some respect among the LGBTQ+ community, it has aged quite well in a modern scope–as long as you don’t take it too seriously. Jennifer comes back from a sacrifice gone wrong and seeks revenge to those who have done her dirty–men primarily. It’s a romp that needs to be revisited if you didn’t like it the first go around.

If Jennifer can, you too can go both ways with Cheese + Chocolate Fondue. In terms of drinks, I had to find the iconic and morbidly named 9/11 Tribute Shooter in which they drink pre sacrifice, so make sure you have one before and after she turns (or as many as you want you wild animal you). I also found a virgin version, but make sure it’s a virgin beforehand. My double feature pick for this film is Ginger Snaps to go back-to-back with sultry, violent femmes.

You can rent Jennifer’s Body here on Amazon Video or add it to your (now-growing, yes?) physical collection here. Check out the design I made on Redbubble for this one.

October 13th: The Birds (1963)

Horror

This film is responsible for most peoples’ irrational fears of birds. One of Hitchcock’s tried and true classics adapted from a Daphne Du Maurier novella. It focuses on Melanie and her small town as they try and survive once the avian species in the area turn murderous. With iconic shots and terrifying tension, don’t sleep on The Birds as it is one of the best horror films of all time. One thing I will mention with this film is to watch it with consideration of what Hitchcock did to Tippi Hedren, more of which you can read about in my article all about Hitchcock.

I had to keep with the ‘bird’ theme when choosing these drinks. Therefore, I went with a Kentucky Bird, which is a variation of the classic tiki cocktail, the “Jungle Bird.” Due to it being a booze forward drink, my mocktail consists of one of the ingredients–pineapple juice. Therefore, indulge in this Pineapple Mocktail if you’re not into the strong stuff. In regards of food, I kept it very retro chic and looked for recipes around the 1960s. There, I came across one of my favorite snacky recipes: Bacon Stuffed Cherry Tomatoes. It’s delicious and bite sized that you’ll think you’re eating like a bird.

Rent The Birds on Amazon Video or flex your classic horror movie muscles by having it adorn your shelf, which you can get here. I made a very chic, very classic design for this film on Redbubble.

October 14th: Don’t Look Now (1973)

Horror

Speaking of Daphne Du Maurier, this film is a must watch if you haven’t seen it yet. A surreal horror nightmare, Don’t Look Now addresses some of the bleakest topics there is out there. Not only that, but it is also a visual masterpiece. Starring Donald Sutherland and Julie Christie, Don’t Look Now reigns as a surreal psychological thriller that stood the test of time gracefully. There’s not much more I can say as going into this film with little information has a huge payoff.

This film will pair nicely with a Little Red Jacket Cocktail, both in feeling and in the literal sense of the red jacket seen several times in the film. As that cocktail contains Jägermeister, I wanted to see if there could be a mocktail that has same spiced taste. Considering Jaeger has 56 herbs and spices, I had to narrow it down to a delicious tasting mocktail that has no name relation to the content of the film: Don’s Virgin Sacrifice. Now, we’re ending the week fairly classic, so why not take it to the 70s with this Classic Cheeseball, perfect for spreading and stress eating the dread away.

You can rent Don’t Look Now on Amazon Video or own it physically by following the link here. Due to the film’s harrowing subject matter, I mashed up two films for the design to poke fun at a trope rather than referencing the movie itself. Check that design out here.

Coming Up Next

So, there’s the second week of the 31 Days of Horror here on The Void of Celluloid. Hopefully this spawned some ideas on what to make for any upcoming Halloween celebrations. For those that like to go hard and celebrate every day like me, go for it–I have given you the tools. We had Week 1, coming up next is Week 3 and The Final Ten Days which will be linked respectively once published.

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horror filled tomorrow. See ya next time.

Celebrating Poltergeist’s 40th Anniversary

This post contains Amazon Affiliate links. I am an Amazon Affiliate and will receive earnings on any purchases made through those links. I appreciate your support and hope you enjoy the article.

This month, I am personally celebrating my mom’s 50th birthday by seeing a film in theaters that’s turning 40. The film that got me started with horror. The film that is the ultimate starter-horror with its PG rating, mild scares and whole lot of heart. The title gives it away, we’re talking about Poltergeist.

Durango Arts Center holds special 'Poltergeist' screening – The Durango  Herald

The Steven Spielberg produced and written; Tobe Hooper directed flick from 1982. A true treat to any moviegoer as it is tame in its scares but deep and rich in its story. It’s a film that has stood the test of time and didn’t even receive a smudge from its terrible remake (what a waste of Sam Rockwell). However, with genius and heart comes tragedy, which struck in the real life of those involved in the film. We’re going to be going over all of that as we jump into this legendary void of Poltergeist.

Tobe Hooper and Steven Spielberg: an interesting account

One of the rumors that have stuck around throughout the years is that Steven Spielberg actually directed majority of Poltergeist. I mean, it makes sense–the film does have that Spielberg charm. However, there’s more to this story as another iconic film is celebrating 40 this year as well. ET: The Extra-Terrestrial was being filmed at the same time as Poltergeist right next door. Believe it or not, that was the script that Spielberg tried to get Tobe Hooper to direct. Having been impressed with his directing in The Texas Chain Saw Massacre, he wanted him for a project and offered the fully fleshed out script of ET rather than the half-baked idea of Poltergeist.

Poltergeist (1982) - IMDb

Shockingly, Hooper turned the script down as he was seeking out a film about ghosts rather than aliens. There was a script that Spielberg had been aware of back in his Close Encounters days called ‘Night Skies’ which would then become the framework for Poltergeist. Spielberg took up the entire helm of ET and offered Hooper the job of directing Poltergeist, which he accepted. Due to ET being the bigger budget, Spielberg was contracted to focus his efforts on that film despite the second project occurring at the same time.

Spielberg did not take the reins however due to conflict, but rather partnership. Tobe Hooper would set up the shots, Spielberg would make adjustments and that was that. Spielberg remains adamant to this day that Hooper deserves the credit for director and that it is Hooper’s project as much as it is his. That is the true answer to this day.

Tragedy on Set: The Infamy Behind Poltergeist

There are two major tragedies tied to this film and its series (though more have occurred). It is known for being one of the ‘cursed’ sets–The Exorcist is the most notorious for its cursed nature. There are two incidents that have tainted its legacy despite neither happening on set.

Dominique Dunne - Profile Images — The Movie Database (TMDB)
Dominique Dunne

Dominique Dunne had a blooming career. Poltergeist was her first theatrical role and her role as Dana Freeling, the teenage daughter, got quite a lot of screen time. She lined up a role in V, the popular sci-fi miniseries from 1983. On October 30th, 1982, she was rehearsing with V costar David Packer–a few weeks before is when she cut ties with her abusive boyfriend John Sweeney. There had been multiple violent episodes between the two, and Dunne had finally fled and broke it off after a friend walked in on Sweeney choking Dunne after a heated argument.

Sweeney showed up at her house, saying he only wanted to talk it out. After she went outside to talk, Packer heard them start to argue, then heard two screams and a thud. He went outside and saw Sweeney over Dunne, strangling her. At the hospital, Dunne was declared brain dead and taken off life support. Sweeney was charged with voluntary manslaughter and sentenced to 6 years in prison. Production of V moved on yet used some footage of her for a cameo and dedicated the entire series to her memory.

Heather O'Rourke - Wikipedia
Heather O’Rourke

The other tragedy lies in the legacy of the other leading lady: Heather O’Rourke. O’Rourke was merely five years old when she was cast as Carol Anne Freeling and garnered a Young Actor award for her performance. After Poltergeist’s reception came in, it was time for a sequel. However, shortly after the release of Poltergeist II, O’Rourke was misdiagnosed with Crohn’s disease after contracting giardiasis–a parasite that attacks the intestines and may produce similar symptoms–from well water at her house. They prescribed her cortisone which causes her tissues to swell and led to a fatal constriction of blood vessels in her intestines.

O’Rourke began feeling flu-like symptoms which devolved into cardiac arrest on January 31st, 1988. She was revived by medics shortly after and was flown to the San Diego Children’s Hospital for emergency surgery. After surviving surgery, she went into cardiac arrest again in the recovery room. Despite 30 minutes of CPR, she passed. She was barely twelve years old.


Many consider the Poltergeist set cursed. While there are paranormal whisperings of events that occurred on set, it was these tragedies with their unnatural circumstances that have the most substantial evidence of any curse. Dunne’s murderer getting off with manslaughter. O’Rourke’s misdiagnosis at the most inopportune time. These are weird cases, but mostly tragic.

A Lighter Note: Fun Facts about Poltergeist

With a mix of controversy and curses, I thought it would be nice to close this article with some fun facts. I mean, we have reason to celebrate, Poltergeist turns 40 this year!

Five Fun Facts
Poltergeist at 40: How the Classic Film Changed Haunted House Horror
  • The film actually started as a sequel of Close Encounters of the Third Kind but split off from its source material rather quickly. Seems like the aliens went to E.T. instead.
  • Heather O’Rourke was incredibly mannered on set–however, there was one scene that she was not fond of. The scene when she is sucked into the closet and hanging on by the headboard upset her severely. They got the shot of her looking back and screaming, but shortly after she burst into tears. Spielberg promised her she would never have to do that scene again. Therefore, a body double was used for the rest of the scene.
  • The two main scares in this film are actually inspired by Spielberg’s real childhood fears. The tree is based off of a tree that cast shadows into his childhood bedroom and the clown–well the clown is self-explainable to anyone who suffers from coulrophobia (like me).
  • The tree scene was actually filmed in reverse. Opting to have Oliver Robins spit out rather than swallowed made the final result look better. It also shortened the time the actor had to be in the tree itself–I declare that a win-win.
  • Most know that the pool scene contained real skeletons. However, when filming that scene, the pool was surrounded with live wires and electrical equipment. JoBeth Williams refused to get in the pool until she was guaranteed safety from possible electrocution–a very reasonable request. Spielberg insisted total attention of the crew. When met with lukewarm enthusiasm, Spielberg got in the pool with Williams to ensure her safety. It also helped her feel more comfortable filming the scenes.

Conclusion

Poltergeist was my first horror movie, and it remains as one of the best of the genre. I think what makes Poltergeist unique is it is packed full of heart. The family dynamic is front and center in this film. Despite the short runtime, you care about the characters and want this family to be okay. The 2015 remake is not worth the watch as this whole dynamic was missing. It also lacked the brilliant practical effects that the original has. Anyways, happy 40th birthday Poltergeist. You can rent Poltergeist on Amazon Video or if you want to support the physical media movement, buy it physically here.

This House Is Clean GIFs | Tenor

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. Love Poltergeist? Check out the custom sticker here on Redbubble designed by yours truly. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horrific tomorrow. See ya next time.

I Don’t Know Horror Movies. I’ll Guess the Plot to These Six Popular Horror Movies Anyway.

Hi there, Taylor (The Void) here. I opened up the floor to some friends of mine to write a blog post for TVOC this summer, and surprisingly, they jumped on board immediately. This is one of those posts written by my one of my dear friends Justine. I’ll let her take it away.


I must admit my knowledge of horror films is severely lacking. I have never bothered to delve into the genre and all it has to offer. The closest thing to horror I’ve watched is Troll 2 (Please dear god watch it if you haven’t yet, deserves all the praise in the world). So, when my dear friend Taylor asked if I wanted to write a post for TVOC I thought it would be entertaining to guess the plots of popular horror movies. Taylor gave me six movie posters, and in this post, I will guess the plot of the movie using said posters. I’m going in blind, expecting to completely butcher these plot points. Come along for the ride.

Cat People (1942)

The poster for Cat People gives me a lot to work with. Um hi…a gorgeous woman, a blood dripping cat and a curse? Sounds like a good time. 

Cat People (1942) - IMDb

The Plot: A woman in her early 20’s lives alone with her multitude of cats. At this point she’s lost track because she has taken in stray after stray, and they come and go as they please. Little does she know, one cat that has snuck in amongst the ranks is not like the other cats. For this cat carries a CURSE (oOooHhh). This black cat (the one in the poster) acts sweet and innocent in the first few days at the house. However, one night as the woman is feeding all the cats, the cursed cat strikes.

It bites her, right on the wrist. She thinks nothing of it at first. However, the next morning when she wakes up, she herself is a black cat. The stray cat she took in, as it turns out, used to be a human woman. The woman has been trapped in a cat’s body for the past decade and can only turn back into a human on nights with a full moon. The cat has decided to give other unsuspecting women the same curse by biting them. Our main character is just one of many victims. She is desperate to remove the curse, but the black cat disappears before she can get any answers. 

The main character is finally able to transform back into a woman on the next night of a full moon. When she looks in the mirror, she notices she does not look the same. She is wearing a deep red dress that she does not own. Her lipstick and nail polish a bright red. Her fingernails are pointy and sharp to the touch. She has a desire for blood to match. Our character spends the night out on the town trying to seduce the men she meets. It does not take long for one man to take the bait.

As soon as they are alone, she quickly kills him with her talon-like nails. After a few months of killing men during full moon nights, our main character realizes she no longer desires to get rid of the curse. She meets other black cats, who are really women afflicted by the same curse. They form a group. Preying, and hunting together.

Each full moon they go out on the town as a group, kill as a group, and disappear before anyone can figure out what has happened. The police never find out who is responsible for all these mysterious deaths, just that an influx of black cats seem to appear in town before the full moon every month.

THe Hills Have Eyes (1977)

The Hills Have Eyes (1977) - IMDb

The Hills Have Eyes poster has a lot of good information that can be used to determine a plot. Right away, I noticed “A nice American family. They didn’t want to kill. But they didn’t want to die.” That along with the broken-down car in the bottom left of the poster, gave me all I needed to know.

The Plot: Picture this, a cute family of five plus their adorable dog are headed out for a camping adventure at Arches national park. BUT…. their van gets a flat tire and they’re left stranded in the middle of nowhere. The family is calm at first waiting for someone to pass by to help out (like AAA or something idk). 

As the days go by, they realize no one is passing by. The road is empty. All is quiet, except for weird noises they keep hearing at night. Enter the creepy man that’s front and center on the movie poster. He leads a group of cannibalistic egg-headed aliens. They live within the hills that the all-American family is surrounded by. In order to survive, the family has to fight off the cannibals that are trying to eat them. I imagine the movie involves a lot of fighting and near-death experiences.

The dog is probably killed and eaten first, followed by one or two of the kids. However, I think at least half of the family survives the cannibals when a school bus full of free-spirited hippies drives by and saves them. But PLOT TWIST: the movie ends with the surviving family members finding out those that saved them are actually part of a cult.

Suspiria (1977)

The biggest thing I got from the Suspiria movie poster is that it is in another language (french? italian?). Also it looks like the woman in the poster has had her throat slit? Lots of blood. Besides that, I got nothing, so this plot is going to be completely pulled out of my ass.

Saturday Matinee: Walter Chaw Talks Suspiria, 1977 | Denver Public Library

The Plot: A European woman (Suspiria) desires to be the best ballet dancer of her generation. Suspiria works nonstop and is willing to do anything and risk everything to be on top. However, she is not the only dancer that wants to be the best. Suspiria’s childhood friend also has the same aspirations. The friend knows that Suspiria is a naturally talented dancer. When they both decide to try-out for a world-renowned ballet program in Vienna, Suspiria’s friend realizes she has no chance of getting in with Suspiria as competition. The night before try-outs, Suspiria’s friend convinces her to have a couple drinks, to help relax. What our main character does not know is that her friend has drugged her drink. Once Suspiria slips out of consciousness, her friend drags her to the alley behind their hotel, slits her throat and slips away, unnoticed. 

The morning of the try-outs the friend believes she has gotten away with it, tries-out and gets accepted into the ballet program. All is well, UNTIL two months later. The friend begins touring with the program across Europe. One night, she wakes up in a sweat in her hotel bed and sees a flash of something in the corner. When she looks over, nothing is there. She is awoken again to something touching her, when she opens her eyes, again, nothing is there. The friend begins to see and hear things night after night. After a while, she sees and hears things even during the day. Finally, at the ballet’s last show of the tour, she sees her, Suspiria.

Suspiria is dancing amongst everyone in the performance, as if she is part of the group herself. When the friend gets a full glimpse of her, she sees Suspiria’s throat is still slit, blood gushing out of it all over the stage. The friend is horrified, but no one else seems to notice. The movie ends with Suspiria dancing up to her friend, making direct eye contact, acknowledging her for the first time on stage. The friend, frightened, takes a tumble mid-spin, landing wrong and breaking her neck. The end.

Christine (1983)

The movie poster for Christine really does not give me a lot to work with (love the car though). I am sorry in advance if my plot is so inaccurate you feel like gouging your eyes out after reading.

Christine: Ignition (Video 2004) - IMDb

The Plot: Christine is this absolute dream of a woman. Drop-dead bombshell that everyone wants. On top of that, she has an impeccable sense of fashion and a hot-ass red car to match. Little is known about her, she has no friends, no family (that anyone knows of), and she doesn’t bother making small talk with the peasants. No one knows her age, where she lives or works. They just know she’s around when they hear the rev of her car’s engine. 

The plot begins in a small town where men start disappearing. One every few months at first, then one every month, then one every two weeks and so on. Detectives are stumped, so are the citizens. Christine has been in town for a while and seems unbothered by the disappearances. No one suspects her to be the cause of the disappearances, but some have noticed her red car lingering around known disappearance sights of the men. This is because…pause for dramatic effect…. she is in fact a femme fatale killer.

Unbeknownst to the town, Christine goes from small town to small town every one or two years, kidnapping and killing some of its male citizens, before driving off to terrorize a new town. To her, men are playthings. She has fun with them (and they have some fun too), until they realize being with Christine ends in their death. This little town in the center of the plot does figure out Christine is responsible. They connect her to too many of the disappearances. However, by the time they can make an arrest, she is gone. Along with her gorgeous red car that you can hear speed off into the distance.

Halloween III: Season of the Witch (1982)

Taylor did warn me that Halloween III has nothing to do with the Michael Myers. To be fair, I haven’t seen Halloween so it doesn’t make much of a difference. Based on the poster alone, it’s obvious this movie is about witches who are up to no good. The line ‘The night no one comes home.’ makes me think this movie has one fateful night, where all hell breaks loose. 

Guess the Horror Plot

The Plot: The witches of Witchy Town (I don’t know you come up with a name), are a particular sort of twisted fun. They live under the radar in their all witch town. No men or non-witches in sight. They do what normal people do. Host holiday parties, go to cafes and parks, spend way too much money online shopping, etc. While Witchy Town has thankfully only seen a handful of men pass through its borders throughout its history, that all quickly changes.

One day, four different bus loads full of men pass through the town. All four buses stop in the middle of town to refuel and let the men stretch their legs and explore. This annoys and horrifies the witches. But it happens again the next day, and the day after that. Busloads of men, all stopping in Witchy Town before heading off to their destination. 

Soon the witches realize that a new golf resort (or whatever gets the men’s blood pumping i don’t know), has opened in a town about an hour away. The only driving route to the resort is right through Witchy Town. The witches decide that they have to stop even more men from coming to their town and disturbing their peace. So they hatch a plan. They have to scare away the men, to ensure they never pass by Witchy Town again. The witches hold a big town hall and determine the best course of action. The night following the town hall, they enact their plan.

A bus full of rowdy men pulls into the town’s gas station. The men all unload heading to the bathroom, store, or to explore the nearby shops. When all the men get back to the bus, the hottest witches of Witchy Town greet them. The witches act overly kind to the men, offering them refreshments before departing. The men gladly accept and are happy to converse with the ‘sweet women’ of the town. After they’ve had their refreshments, the men safely return to the bus as the witches blow them a kiss goodbye. 

Once the bus gets to the resort, a resort staff member notices that the bus doors open. However, after ten minutes, no one has come into the resort. Concerned, the staff member goes outside and checks on the bus. No one is in the driver seat and the bus is dead silent. As the staff member walks onto the bus, they see every man on the bus is dead. The employee alerts others in the hotel and they all look on in horror. Walking behind the bus, all the resort employees see that the words ‘death to all men’ are written in blood on the back of the bus.

Turns out that the witches had poisoned all the men. They also killed the bus driver so that a witch could drive the group to their destination before flying off into the night. The witches’ plans work, and men are too scared to go to the resort, and it is shut down. The witches of Witchy Town get to live happily ever after.

Thir13en ghosts (2001)

Guess the Horror Plot

Thanks to my broken brain, the title Thir13een Ghosts makes me think of 13 Reasons Why. Nonetheless this movie poster is creepy but doesn’t help me ascertain any sort of plot. I just see a terrified looking face, overlaid with a bunch of creepy ghost pictures. 

The Plot: Thir13een Ghosts follows your average woman. She is single, in her mid-30s, has a normal number of friends, and supportive parents. Life is normal up until she decides to make a career change. To get more excitement in her life she decides to move across the country and start new. She buys an old, beat-up house, that she plans to slowly renovate and make her own (you see where this is going?).

Once she moves into her house, she realizes that the house is older, and creepier than anticipated. That’s when the 13 ghosts come in. They all haunt the old house our main character has moved into. They’ve all decided to haunt her in their own unique ways. The only way to get rid of them? Defeat them. I’d like to think of it as a horror version of Scott Pilgrim vs. The World. Instead of evil exes to defeat, this character has to defeat the 13 ghosts to get her life back.

Throughout the movie she slowly finds all their weaknesses, killing them one at a time. She has a few near-death experiences herself but is finally able to defeat them all by the end. The character gets to live happily ever after in a new town, and in a newly constructed house (not taking chances again).


Wow, that was a rollercoaster. A big thanks to Justine for using her imagination and crafting plots that actually make way more sense than the actual plots. I was quite a fan of the made up Suspira‘s plot–gave me kind of Black Swan vibes. We’ve talked about a few of these movies on TVOC before, such as Cat People and Halloween III (in passing).

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horrific tomorrow. See ya next time.

Mother of the Void Presents: Gaslight (1944)

The definition of gaslight is “psychological manipulation of a person usually over an extended period of time that causes the victim to question the validity of their own thoughts, perceptions of reality or memories and typically leads to confusion, loss of confidence and self esteem, uncertainty of one’s emotional or mental stability, and a dependency on the perpetrator.”

Gaslight (1944 film) - Wikipedia

The name for the term Gaslighting came from the 1938 play “Gas Light” written by Patrick Hamilton. It was made into a film in 1940, and it is the second adaption, 1944, that is my film for the week. Having been a victim of this abuse in two major relationships in my life, I think the Void is trying to give me some inexpensive therapy, and I appreciate it. So here we go with Gaslight, directed by George Cukor and starring Charles Boyer, Ingrid Bergman and Joseph Cotten. If you want to read my last one, check it out here.

The beginning

The film open in London, as a young Paula Alquist is being led away from the scene of her aunt’s murder. A paper reveals that the murderer is still at large. There are many onlookers as a clearly distraught Paula watches the gaslights in her aunt’s house are extinguished. Her caretaker informs her that she is going to Italy to study singing with her aunt’s best friend. Paula is told this man will make her into a great singer, like her aunt. 

We now see an older Paula, studying her singing, and she is chastised for not taking her singing seriously and also for not singing like her aunt. As Paula assures her teacher she will try harder, the accompanist asks to be excused, and is granted permission. 

Paula discusses with her teacher that she knows she is not meant to be a singer. He tells her that she has been coming to her lessons happier than he has ever seen her, but as her happiness improves, it is having the opposite effect on her singing. He asks her if she is in love, and she affirms that she is. She tells him that she is happier than she has ever been, which is something she never thought would happen. Her instructor tells her that she should embrace this chance at happiness, she should free herself from the past. He asks to meet this man she loves, and instead of agreeing, she tells him goodbye. 

Paula hears her name called as she leaves her lesson. Gregory, the accompanist, is waiting for her. He pulls her into a secluded area and kisses her. He then asks if she told her teacher, and she says she didn’t have to, he knew already. Gregory questions why Paula hesitates moving forward with him. She admits she knows nothing about him, and he still asks her to marry him. . He questions if she is afraid of him, and she says no of happiness. Paula asks Gregory to give her time, and he says, “You will have all the time you need”. Paula confirms that they have only known each other for two weeks. She tells Gregory that she wants to go away for two weeks, so she can think about this on her own. He is supportive of her going. They have a very sweet parting. 

Paula’s Trip

Paula is now on the train with Miss Thwaites, who if she was alive today, she would be the biggest true crime podcast fan ever! She is reading a mystery novel, and she is very animated about what she is reading. She and Paula strike up a conversation. Paula tells Miss Thwaites that she is going to Lake Cuomo, and the old woman is shocked that she is traveling by herself. 

Miss Thwaites reveals that she is going to London and she lives in Thornton Square. This is the same area we saw Paula leaving at the beginning of the film. She tells the old woman that she knew people who lived there, and the amature sleuth begins to share the story of the unsolved murder that took place there years before. Paula becomes visibly upset, but the woman keeps talking. Much to Paula’s relief they reach her stop. As she exits the train, and Miss Thwaites continues to talk, a hand appears on her arm. It is Gregory, who has followed her. He says he hopes she is not angry, and she is genuinely relieved to see him. 

Now my younger self would have seen this and thought, “How romantic.” My older self, who has been in dysfunctional relationships sees this and thinks, “She asks for space, and this is his way of making sure she doesn’t get a chance to analyze what is happening in a healthy way, and change her mind.” To all you kids out there, respect your partner’s wishes. Time apart will not kill you! And if someone does not respect your wishes for space, RUN!

Newlyweds

We now see the beautiful balcony of the hotel where Gregory and Paula are spending their honeymoon, or at least I think it is their honeymoon. If not, this is really naughty for 1944. They are romantically talking about their future together. Gregory asks Paula where she would like to settle down. She suggests Paris, and he suggests London, which takes some of the joy from her face. All of a sudden, he has an idea.

He visited London when he was younger, and had always dreamed of having a home, “in one of the quiet little squares” asking her again if they could settle down in London. He then notices the expression on her face and asks what is wrong. She tells him she already owns a house in a square in London. Her Aunt left her the house. Paula confides that she knows nothing of her parents and lived with her Aunt until her death. She tells Gregory that she hasn’t been afraid since she has known him. Paula tells him that she can face the house with him by her side. She will give him his dream of a house in the square. 

We now see Miss Thwaites saying hello to flowers and it is revealed that new tenants are moving into Number 9, where the murder happened. She recognizes Paula and reintroduces herself. The solicitor opens the door to the house and they slowly enter together. Gregory begins to make his way through the house, but he has an intuition about the layout of the house. They go upstairs to the drawing room. Paula says the room smells of death, as Gregory opens a window, saying it won’t for long. Paula shows him a cabinet that displayed her aunt’s treasures. The glass was broken the night of the murder, but nothing was missing.

She shows her husband a single glove her Aunt loved, and as a child she inquired as to the whereabouts of the other glove, but was told that her aunt gave it away to a great admirer and that was all she knew. Gregory tells Paula that he wished he could have seen her, and she reveals her painting. A strange expression comes across Gregory’s face when he looks at the painting. Paula reveals the place where she found her aunt’s body, and that she had been strangled. Gregory suggests that they remove all the items that remind Paula of the tragedy.

A Home of their own

Paula heartily agrees and excitedly talks of the parties they could have. Gregory looks displeased and tells her that parties would come later because he wants them to have time to themselves. Paula tells him there is an attic where all her things are, and Gregory suggests they could put all the old furniture up there. Once they were done, they could board it up, so she would never have to look at them again. Personally I was thinking ‘YARD SALE”, but that is just my American coming out I guess. 

While Paula is showing Gregory her Aunt’s piano, she finds a letter and begins to read it outloud. When she says the letter was written by someone named Sergus Bower, Gregory becomes visibly upset and rips the letter out of her hands. He tells her that they need to get rid of all of these things because they are upsetting her.  Hello pot, I’m kettle. He tells her that while she holds on to her Aunt, there can be no happiness for them. 

Gaslight | CINEACTION

Some time has now passed, and Miss Thwaites runs into Elizabeth, Paula and Gregory’s housekeeper. It is established that workers have just finished boarding up the attic and Gregory doesn’t allow visitors because he feels that Paula is too unwell to be around people. 

When Elizabeth enters the house, Gregory is hiring another housekeeper (a very young and beautiful Angela Lansbury). He tells her she is never to bother Paula, and to always come to him. There is an obvious flirtation between the two. Paula comes downstairs and is introduced to Nancy, the new maid. Gregory gives Paula a cameo that he tells her that it belonged to his mother. He makes a point of pointing out to her that she has a tendency to lose things, and tells her he is putting it in her bag for safe keeping due to the clasp being broken. She tells him she won’t forget it is there, and they head out for a tour of the Tower of London. She is so excited that she actually gets to leave the house for the day. How nice of him to unlock her cage. 

The Gas Is turned on

While on a tour of the Tower of London, Paula realizes that her cameo is no longer in her bag. This sends her into a panic, and she leaves the tour group to search for it. Gregory quickly follows her and they go for a walk in the sunshine. While on their walk a man with his niece and nephew tips his hat at them. Brian’s niece tells him he looks like he has seen a ghost and he says that the woman reminds him of someone who is dead. Gregory get instantly jealous and contronts Paula about who the man is. She tells him she has no idea and was just being polite. 

Once again, to distract from his actions, Gregory tells Paula he is worried about her and the fact that she is so forgetful lately. Paula is confused about what he is talking about, and he tells her not to worry. Anytime she questions Gregory, he accuses her of being suspicious and makes her doubt her own mind. Paula wants to go home and Brian watches them leave. 

When they return home, Paula  inquires about seeing the room that Gregory rented to work out of. He tells her that is unnecessary, and sends her upstairs to rest. When she is half way up the first flight of stairs, Gregory asks for her cameo so he can have it repaired. She confesses to him that she can’t find it. He empties her purse and the cameo is missing. Gregory tells her he warned her he would lose it. When she apologizes he tells her it is not important, and when she asks him to confirm he put it in her purse, he questions her memory again. 

While getting ready for bed, Paula notices the gas lights in her room dimmed, and questions Nancy about who would have turned on a light in another part of the house causing this one to dim. She then hears footsteps above her. 

The Gas Lights

Miss Thwaites greets Brian outside Paula’s house. She tells him that Paula never leaves the house, and he looks over and corrects her when he sees Paula outside the door. She had forgotten her keys and had to have Nancy open the door so she could retrieve her umbrella. Nancy questions what she should tell Gregory is he asks where she has gone, and despite Paula’s answers, she continues to grill her, to the point where Paula gives up and goes back in the house. Miss Thwaites confides in Brian that the new maid, Nancy, has been fooling around with a policeman who walks around the house.

What is gaslighting? The 1944 film Gaslight is the best explainer. - Vox

We now see Brian entering Scotland yard. He is asking them to reopen the case. He explains that he met Paula’s aunt when he was 12 years old, and he thought she was the most beautiful woman he had ever seen. The detective tells him that there is no reason to reopen the case, but then he mentions that some jewels were missing. This sparks Brian’s interest, as he states there is no mention of jewels in the case file. The detective tells him someone “highly placed” gave them to the woman. That is the theory behind why she was murdered, but the jewels were too famous to ever be sold. Instead of Brian dropping it, this has sparked his interest even more. 

Brian meets up with an officer, asks him if he is married and offers him a new location in a more stylish neighborhood. Nancy does like a man in uniform, and this one will do. 

We now find Gregory and Paula in the drawing room. Paula wants to put coal on the fire, but Gregory insists she call Nancy. When she enters Gregory openly flirts with her, even asking Nancy to give Paula makeup tips. Paula chastices Gregory for the way he treats her, and Gregory accuses her of imagining things. 

Nancy enters the room and says Miss Thwaites has come for a visit with her nephew. Paula welcomes the visit, but Gregory tells Nancy to send them away. When Paula protests, Gregory begins to yell at her, telling her he doesn’t want people in the house. He tells Nancy to say Paula is not well enough for visitors. Paula tells Gregory she really wanted to see her, and his reply is well then you should have just said so. They dismiss Miss Thwaites and her “nephew” Brian. 

More Schemes

In the sitting room, Gregory is happily playing the piano, with Paula worrying in the background. He tells her that they are going out for the evening, and Paula begins to question if she has forgotten him telling her. He assures her it is just a surprise for her–taking her to the theater. Paula is happily singing, when Gregory stops playing and questions her about the whereabouts of a little picture. He asks her to go and get it and she insists she didn’t take it. Paula begs him not to ring for the servants. He asks Elizabeth if she knows where the painting is, and she says that she has never touched the painting. Gregory asks her to kiss the bible to show she is telling the truth.

Gregory tells her to bring in Nancy, whom Paula is fearful of. He questions Nancy, and she denies taking the picture. They dismiss Nancy and Paula swears on and kisses the bible, saying that she did not take the picture. Sternly Gregory tells her to go look for the picture. On the way up the stairs, she finds the picture and he accuses her of knowing where it was all along. He sends her to her room and tells her that she is too ill for her to go to the theater. 

Paula begs Gregory to be gentle with her if she is truly ill. He takes her to her room, and tells her that he is leaving to work. She begs him not to leave and tells him she is hearing noises and she begs him to hold her and make her feel safe. He leaves and tells her he hopes she is better in the morning. Gregory and Nancy flirt yet again as Gregory leaves to go work. Nancy is a wee bit of a ho bag.

Gregory exits the house into the foggy London night. He quickly steps into the shadows. What are you up to?

Approaching Paula’s Breaking Point

Paula is laying on her bed, crying when once again the gas lights dim and there are noises overhead. 

There is a concert, and Brian as well as Paula and Gregory are invited. Brian asks the host if she will seat him next to Paula. Just then the hostess gets word that Gregory has RSVP’d that Paula is ill and they won’t be attending.

Paula descends the stairs in a lovely white gown, ready to go to the concert. Gregory is in the sitting room in his smoking jacket. Paula proclaims that despite Gregory’s response to the invitation, she is going, alone if she has to. Gregory plays it off that he didn’t realize that the party was so important, and goes to change so he can go with her. Paula gains some confidence after an icey exchange with Nancy. 

They arrive at the concert, which has already started, and draw Brian’s attention as they take their seats. Once seated, another musician starts to play. Brian watches the couple, drawing Gregory’s attention. During the performance, Gregory reaches for his watch, which is missing. He questions Paula about the whereabouts of it, and she becomes very upset. He begins to examine her purse and pulls his watch from it. When she protests that she didn’t take his watch, she begins to sob uncontrollably and Gregory tells the hostess that she is too sick after all. Brian leaves his seat during the commotion and follows the couple back to their house. 

In Paula’s bedroom, Gregory is pacing, ranting that he has tried to keep her “illness” quiet, but her insistence on going to the concert has brought everything out in the open. Paula tries to recall when things started to slip from her. She traces it back to the letter she found, and Gregory insists that there never was a letter at all, and he was just playing along with her. Poor Paula.

Gregory tells her that Paula’s mother was insane and died in an asylum. He tells her that Paula’s symptoms are the same as hers. He then accuses her of knowing that Brian would be at the concert. Paula tells him that she has no idea who he is. Gregory becomes angry and accuses her of lying to him. He tells her what she is doing is worse than lying. She is forgetting. He then threatens her that he will bring in two doctors to have her legally committed. 

Gregory leaves the house again, and as he walks away, he hears footsteps behind him. Ahead of him is the officer that Brian  had assigned to the street. Once again, Gregory disappears into the shadows, as Brian and the officer meet and try to figure out where he went. 

The Dimming of the Gas light

Once again, the dimming of the gas light and footsteps above her head plagues Paula. She screams for Elizabeth, who is coming upstairs. She asks Elizabeth if she turned on the gas downstairs. Elizabeth tells her no, and that she is the only one in the house. Noises appear overhead again. Elizabeth is mostly deaf, so when Paula asks her if she hears the noises, she says she doesn’t and tells her it is just her imagination. 

Brian has spent his breakfast making a diagram to figure out how Gregory disappeared. The officer comes to his house and tells him he saw Gregory coming out of the shadows, dirty and disheveled. He then tells Brian that he has had breakfast with Nancy. She told him that Gregory informed her that Paula might be going away for a very long time, and he asked her to stay on and look after him. (I bet she did….slut!). Brian sees this news as a reason to speed up their investigation. Brian tells the officer to get Nancy out of the house in the evening and he will stop by and see Paula after Gregory leaves for the night. 

Paula is trying to read, but Gregory’s words are causing her brain to spin. Brian sees Gregory leave, and then goes to ring to bell on the house. Elizabeth tells Brian she won’t see anyone.  He pushes his way past Elizabeth. Paula comes down the stairs, and begs him to leave. Brian shows her a glove that Paula’s Aunt had given him; the match to the glove she had in the cabinet. Brian asks if she is planning on going away. She says no, unless Gregory sends her away. Brian tells her that she is not crazy and he is there to prove it. He asks if there is anyone else there, and she says no. He tells her that the gas went down, which relieves Paula that he saw it as well. She tells him that every night, the light goes down and she hears things. 

Brian begins to put the pieces together as they hear noises. Brian helps to convince her that she is not crazy and it is actually her husband who is upstairs, making the noises. We then see Gregory, going through everything, looking for the jewels that he could not find when he murdered Paula’s aunt. 

Brian Assists Paula

Brian asks if there are any weapons, and Brian breaks into Gregory’s desk to see if his revolver is there. While Brian is looking, she finds the letter that Gregory said didn’t exist. Brian shows her handwriting samples to show Paula that Gregory and the man who wrote the letter to her Aunt are the same person. He tells Paula that Gregory is trying to drive her crazy so he could get control of her property and search for the jewels with no obstacles. Brian tells her that Gregory married a woman in Prague. As they are talking, the gas goes back up. Gregory leaves through the sky light when light catches the jewels, sewn into one of the costumes in an open trunk. 

Brian leaves and asks Elizabeth to take care of Paula. Brian waits for Gregory to come home, but he enters through the boarded up door to the attic. He quickly rushes to his room to examine the jewels, and he finds someone broke into his desk. Enraged, he goes to Paula’s room. Paula is one very angry woman. Hell hath no fury, asshole.

Frightened, but she knows what is going on now. He is so cruel to her. She tells him it wasn’t her, he continues to question her. She lets it slip that “he” opened it. He asks Elizabeth who the man was, but she says no one was here. Paula is reeling, but Elizabeth is protecting her. As Paula spirals, Gregory continues to spin her. Just then Brian shows up at the door. He confronts Gregory. He asks Paula to leave to keep her safe. Gregory escorts her from the room. Brian confronts him about finding the jewels. They struggle over the gun and they go upstairs. Elizabeth calls for the officer, and he joins the fray. 

Our resident true crime sleuth, Miss Thwaites, enters the house to see what is going on. Brian and the officer have tied Gregory to a chair. Paula asks to see him alone. She begins to play his own game with him. She wants to torture him the way he tortured her. But the best torture is to let the police take him away. 

The film ends with a suggested future romance between Paula and Brian, and a possibility of happily ever after. 

Conclusion

This is one heck of a psychological thriller, and if you have ever had a relationship that involved gaslighting, this could be a trigger. Having lived through two such relationships, to see it played out in such an early film makes me know that there were many who came before me. We recognize this abuse more and more now, but still the abuse happens. 

This is a very important film, which is helpful, especially by younger people who could use it as examples of red flags in their own relationships. That is the social side of it. As a film, the acting is wonderful and the use of light, shadow and fog are superb. Now that spooky season is over, time to get yourself mentally prepared for all those holiday gatherings with the family.

Gaslight gaslight gaslight gaslight gaslight gaslight gaslight Gaslight gaslight gaslight gaslight gaslight gaslight gaslight Gaslight gaslight gaslight gaslight gaslight gaslight gaslight gaslight gaslight gaslight gaslight gaslight gaslight gaslight Gaslight gaslight gaslight gaslight gaslight gaslight gaslight Gaslight gaslight gaslight gaslight gaslight gaslight gaslight

Halloween: What Makes it a Masterpiece

It’s that time of year again. The last weekend of Halloween, where the falls are ten different shades of orange, it’s finally sweater weather, and it’s time to pull out the big guns for horror movies. Every Halloween, I always run a back to back screening of Trick ‘r’ Treat followed by the one and only Halloween. Sure, it would seem like sacrilege to not watch Halloween just on its namesake alone. However, every time I view this film, I still get the goosebumps I always do. Just in one watch, you can trace all the horror movies that came after like it’s a family lineage. Let’s look into Halloween: what makes it a masterpiece?

This film kickstarted the slasher genre, started the sequel mania of the 80s and still holds relevance today with two more sequels out and one on the way, all three with the ambitious task of washing away whatever happened to the Halloween timelines of years’ past. Let’s talk about Michael Myers and the epic crater John Carpenter left on the face of moviemaking forever this Halloweekend.

The Beginning

Oh boy, look at that hair. The man clad in the brilliant bellbottoms is John Carpenter himself. Unless you’ve lived under a rock for the past fifty years, you should know his name and his unapologetic nature when it comes to filmmaking. He actually has an Oscar that he received for a short film he did when he was a student at USC. He had a couple full-length features under his belt before tackling Halloween, including the cult film Assault on Precinct 13, in which garnered him a lot of praise for making such a surreal movie on such a low budget. It was at the Milan Film Festival screening of that film that Carpenter was approached by Irwin Yablans and Moustapha Akkad to take on a film concept of a psycho killer stalking and killing babysitters. Carpenter took on the originally titled The Babysitter Murders and got to work.

Akkad made the suggestion to set the night of horrors around Halloween night, which is seemingly the most obvious night for horrors. However, there was no horror film before this that had taken on that setting, so it was both a genius idea and a risky one. Carpenter wasn’t a stranger to holiday themed films, however. He was actually in contact with Bob Clark for a potential sequel for Black Christmas, and when the Halloween gig came up, he asked him permission to use an anonymous-killer tactic like the former film. Clark said yes and the outline for Michael Myers was set.

The Writing

John Carpenter and Debrah Hill | John carpenter, John carpenter halloween,  Michael myers halloween

John Carpenter wrote Halloween’s screenplay in ten days. Ten. Days. He wrote it with the collaboration of his girlfriend at the time Debra Hill. She used her experience as a babysitter and her perspective to write the female dialogue, specifically Laurie Strode’s. Haddonfield, New Jersey turned into Haddonfield, Illinois and Carpenter adopted the small town field by naming the streets after streets in his own home town.

Those aren’t the only homages however, as two characters–Tommy Doyle and Dr. Loomis–are in reference to characters in Alfred Hitchcock’s Rear Window and Psycho. There is another huge connection to Hitchcock, but we’ll get to that later.

The story surrounding Michael Myers as a child is an addition Carpenter made to the story he laid out previously for this hopeful sequel to Black Christmas, making Michael his own character rather than a copycat slasher. While the original financiers wanted a more playful Halloween setting, Carpenter went full-Samhain. Michael soared above a criminally insane human to an evil entity.

Debra Hill: A Horror Legend

Halloween' 1978: The Times Finally Reviews a Horror Classic - The New York  Times

I’m going to pause the momentum of the story to talk about Debra Hill. She is the reason that Halloween, Laurie Strode and Michael Myers are the way that they are. She took her female perspective and avid feminism and injected it into Laurie Strode, which is one of the reasons she is the ultimate final girl. Laurie does everything she can to stay alive, and she is a tough badass, but she is also showing her trauma and emotions at the same time. The shot displayed above is one of my favorite moments in the film, and while it is an impressive shot in general, Laurie has had to walk in on her dead friends, is responsible for two kids and is fighting tooth and nail to stay alive. Of course, she’s going to cry, who wouldn’t?

Hill’s writing, however, allows Laurie to cry without losing any of her power that she has continued to have in previous scenes. Another piece Hill added was Michael killing the innocent, sweet German Shepard in order to provoke emotions that most horror fans don’t feel when they’re watching other humans dying. She inserted that scene in just to get across how evil and merciless Michael is, further enhancing his image as the Boogeyman himself. It’s sad that her mastery wasn’t used in later films, but it is what makes the first film stand out in regards to character development. Remember her name and know that she should have as much credit as Carpenter does.

The Casting

This film had a lower budget, therefore the salary was limited to the prospective cast. The first role to come into fruition was Dr. Sam Loomis due to a lot of rejects. First offered to Peter Cushing, and then Christopher Lee, Donald Pleasence adorned the iconic role, and we can’t imagine anyone else. The other actors fell into place by relation of the crew or working on previous Carpenter projects, but the role of Laurie Strode was the last to click in. Jamie Lee Curtis was not Carpenter’s first choice, nor was his discovery.

Halloween 1978: How A Subtle Easter Egg Hints At Laurie Strode's Dark Side

Once again, credit goes to Debra Hill, who noticed her on her multiple guest star performances on various TV shows of the 70’s, including titles such as Quincy, M.E. and Buck Rogers. What really interested Hill was Curtis’ mother. Her mother was Janet Leigh, who just happened to be Marion Crane in a little film known as Psycho. Hill knew that the tie to Janet Leigh would be great advertisement for the film, so they asked her if she wanted part. She was hesitant as she related more to Laurie’s socialite friends, but she took on the role anyways. We’re so glad she did, as Laurie Strode is iconic, and Sidney Prescott is the only one that could even give her a run for her money as the best final girl, and Laurie would still reign the supreme.

The Production

Halloween was shot in twenty days. A few facts about this filming process:

Mark Roberts Resurrects Michael Myers' Iconic 1978 Personal Effects | Dead  Entertainment
  • It was one of the first films to feature the Steadicam, which gives it those sweeping and following shots in the movie.
  • Jamie Lee Curtis’ reactions were not necessarily a reaction to what was happening. She and Carpenter developed a ‘scare scale’ from 1 to 10, and Carpenter would let her know what level she should be at in each shot. She had different facial expressions, emotions and screams for each level.
  • “The Shape” or Michael Myers’ actor Nick Castle received no direction from Carpenter other than the head tilt post-Bob pinning. Carpenter told him to “‘Examine him like a butterfly display.'”
  • There is a lack of pumpkins present compared to a usual Halloween, and that was because they filmed it in the spring. They had one shot available for the scene with Tommy Doyle as they had a little over three pumpkins on set and most were needed for later scenes.
  • The most iconic fact that most know: the Michael Myers mask is a modified William Shatner mask. They bought the mask for $1.98, stretched out its eyes a bit and painted it a blueish white to make it the mask.

Overall, it was a successful shoot, given the pressure on Carpenter to deliver in such a short time frame. The only thing left that will sell the scares is the music. That meant hiring a composer, right? Well, what if your director and writer is also a musician? Yes, Carpenter is a multitalented badass.

THe Music: One of the most iconic parts of the film

John Carpenter

John Carpenter is the one behind the iconic main and chase theme of the film. All produced by him and his synthesizer, he was paid $10,000 dollars total for the direction, writing, producing and composing of Halloween. It only took him three days and had assistance from Dan Wyman–a music professor–to write the score into sheet music, given that Carpenter only played by ear and memorization and could not read or write sheet music. The main theme is an iconic pop culture reference the first few notes distinguishes it instantly. Not to mention, it’s a bop.

Other songs used were “Mr. Sandman” by The Chordettes and “Don’t Fear (The Reaper)” by Blue Oyster Cult, which fit the feel of the movie perfectly. They make references to it in the awfully cheesy sequel Halloween: H20, when “Mr. Sandman” comes on the radio and Laurie promptly shuts it off. A very meta moment and a nod to the original that makes me giggle ever time.

The Reception: revolutionary for indie and horror alike

Amazon.com: Halloween 1978 Movie Poster 27in x 40in (Movie Theatre Size)  Horror Film: Posters & Prints

The film got a wide release and raked in $70 million dollars worldwide. This was and still remains one of the highest grossing independent films of all time, given that box office and movie theaters were still in the evolution process post-Jaws. If people didn’t know Carpenter, they sure did now. Not only was it met with financial success, it had massive critical acclaim, including a overly positive review from Roger Ebert. This kicked the door down for more independent horror to get wider releases, and the craze of home video was on the horizon which propelled horror into a more popular genre of the 1980s.

Laurie Strode became the face for the final girl, with multiple horror female protagonists made in the image of her. However, as I mentioned in my previous article on final girls, they focused a bit too much on one aspect: her virginity. Knowing more on Debra Hill, I assume she frowns upon this perception and would much rather the praise centers on Laurie’s actions, not her purity. Nonetheless, the deeply inspired Friday the 13th came out two years later and solidified the “you have sex, you die” rule.

The Sequels, reboots and Remakes: Twisty Timelines

This also opened a can of worms that would eventually harm the horror genre. This is the birth of the bloated sequel, in which constant iterations of the same thing taints the original project. This happened to Halloween, with wild backstories including Laurie Strode is actually Michael’s sister, which doesn’t add up in the logical timeline. Then there is the third one, which is actually a return to John Carpenter’s idea of making the Halloween series an anthology. No Michael Myers however meant a cut budget and negative reviews due to the villain’s absence.

Halloween H20: 20 Years Later (1998) - IMDb

Then came 4,5 and 6 starring which contains a half baked story, the worst mask known to man, and a young Paul Rudd. These forgettable sequels brought us up to the mid-90s. 1998, however, the studio wanted to scrap the three most recent sequels so they rebooted and made a direct sequel to Halloween II known as Halloween H20: Twenty Years Later. Jamie Lee Curtis returns and we get a cheese-fest with good kills and LL Cool J. It stepped off strong and followed up with the worst of the sequels, Halloween: Resurrection.

It is all scrapped next time with Rob Zombie’s remake, which spawned a sequel. Instead of Michael Myers being simply evil, Zombie pack a bunch of backstory on Michael’s childhood and adds semantics to his nature. While some people really like these movies, I don’t care for them, as I just don’t care for Rob Zombie’s filmmaking that much. However, these movies received lukewarm reviews from critics and lean more on the brutal side versus the original.

The True Sequels: They do have carpenter’s blessing

This brings us to 2018. Who had it on their life bingo card that the true sequels to Halloween would be co-written by Danny McBride? Well, it’s here and we’re now two films into a finishing sequel for the series. In conjunction with David Gordon Green This is all with Carpenter’s blessing. Boy, is it a hard reboot too, and we’re thankful for it.

Jamie Lee Curtis on Saying Goodbye to Laurie Strode & Halloween Kills -  Variety

They’ve scrapped the entire sequel lineage, which included cutting off Halloween II. Therefore, the whole “she’s-his-sister” bit is out of the picture and cleans the timeline up. We also get a semantic-less Michael again, bringing him back to his evil throne once again with no motives. The special effects are up, the budget is up and Jamie Lee Curtis is back. I personally like where these sequels are going, and am excited for the next installment. It feels like the right fit and the fitting end. You can check out the most recent installment Halloween Kills on Peacock or in theaters today.

Conclusion

It was fun deep diving into this little wormhole and have this be the wrapping up of spooky season. Thanks for joining me in this abbreviated timeline of the making of this brilliant film and staple in the horror genre. Next week, the Mother of the Void takes on Gaslight and I will be deep diving into some psychological thriller picks for the transitional time between spooky season and the holiday season. The scares aren’t stopping, however. So stay tuned and follow The Void of Celluloid here on WordPress, or Facebook/Instagram/Twitter to stay up to date with the spookies. Happy Halloween, lovelies.

31 Days of Horror: The Final Ten Days

So we’ve made it everybody. 31 Days of Horror: The final Ten Days of October are upon us and we are getting spookier by the minute. Let’s finish this spooky season with a bang! If you want to spend a night in the theater, Halloween Kills is out and I personally thought it was quite good. Or later this week, Edgar Wright is taking a slash at the thriller/horror genre with his new flick Last Night in Soho which has already gotten rave reviews, so be sure to check that one out as well. As before, the calendar is down below:

This is the final installment of this series, which has been a fun and exciting journey. I cannot wait for next year’s lineup, but right now, let’s live in the moment. Did you miss the last installments and see a film you’d rather have these final ten days? You can find Week One, Week Two and Week Three by clicking on their respective titles.

October 22nd: An American WereWolf in London

An American Werewolf in London' Movie Facts | Mental Floss

Coming it at number 10 is a classic, An American Werewolf in London. A dark, dark comedy about American tourists, the Moors and beware-ing them (yes, both of them). The film has everything from porno theaters to brilliant special effects, so much so that I’ve been alarmed by the amount of people showing their younger teenagers this movie. I started young in horror films, but my mom didn’t let me watch this one until I was sixteen. I’m grateful for that, however, because I feel like I was prepared for what a weird romp this one is. There isn’t really a short, concise synopsis that won’t give away some major plot points, so if you haven’t seen this masterpiece already, make sure to check it out!

For this film, I have chosen another werewolf flick Werewolves Within. It’s a fun horror comedy with as many twists and turns as this one, therefore I think it keeps the tone-ball rolling. In conjunction with this furball of a night, I suggest pairing the night with the Werewolves of London cocktail (or a sparkling apple cider in a pint glass to give the impression of chilling at the Slaughtered Lamb). Obviously this has to be paired with some traditional English pub food, so these Miniature Shepherd’s Pies are the right choice for some yummy finger food. No Moors nearby (unless you’re in the UK), so you should be able to relax. Just don’t wander foggy fields alone.

October 23rd: You’re Next

You're Next (2011) - IMDb

Like a wolf in sheep’s clothing, this typical home invasion movie is not what it seems. You’re Next is in the same ballpark as The Strangers that were showcased earlier this month, but I truly believe it delivers a more impactful punch. Not to mention those animal masks are absolutely terrifying. Who knew a family dinner could go so wrong? The director, Adam Wingard, went on to film shorts for the V/H/S franchise as well as direct the lofty film Godzilla vs. Kong, so why not check out the film that put him on the map?

I’m actually going to start out with a mocktail, since drinking too much around the in-laws is always not the greatest idea. Let’s start off with a blushed Watermelon Mint Cooler that is as red as those poor tablecloths might be (here’s a alcoholic version). As for the food, estranged family dinners scream “easy elegance,” so pull up to the party with these Easy Pesto Tortellini Skewers. As for double features, TVOC’s pick has to be V/H/S, as it matches the tone and features the same director as well as plenty others. Both films are going to be considered classics in the next few years, so might as well get ahead of the pack.

OCtober 24th: The Exorcist

The Exorcist Reboot Will Kick Off Trilogy With Ellen Burstyn Returning -  Den of Geek

It has finally made its appearance. Many claim this film is the scariest film out there, and I could easily agree with them, though I think scary factor changes from movie to movie. Poor little Reagan messes around with a Ouija board one night and gets targeted by a demon. What proceeds is one of the gnarliest possessions ever on screen. This film also has a reputation for being one of the most cursed/haunted sets, with a lot of misfortune occuring left and right during filming. These stories added on to its notoriety and got the film banned in the UK for eleven years. Yikes.

Of course, I had to pair this with an appropriately named Satan’s Whiskers cocktail balanced out with a Holy Mocktail: Negroni, which you can find more classic cocktails-turned-mocktails in this series Roberts and June did when they gave up alcohol for Lent. Keep it on the holy side with these Lamb Kabobs with Tzatziki Sauce, which is nice and traditional in contrast with the brutality on screen. Then make a devilish sandwich with two choices of a double feature. A modern take would be Hereditary, but you can keep it classic with The Omen.

October 25th: Tales from the Hood

Why Tales From The Hood Is Still The Best Horror Anthology Movie

I featured this film in my anthology list and I have been recommending it every second I get. It’s a fun Creepshow-style film with a lot of social commentary and plenty of camp. Produced by Spike Lee himself, it is definitely a staple in 90s horror that gets forgotten and also drips with modern day relevance. It’s a fun ride perfect for this Monday night and I promise you won’t regret making this one of your choices for your Halloween lineup.

To match the crazy mad-scientist vibe the storyteller has, I decided to go with some wacky concoctions. There is the beautiful, glowing Halloween Hpnotist and the zero proof Blue Shoe. As for snacks, I wanted something short and sweet like an anthology so here is extremely simple 2-Ingredient Nutella Brownies. Now, for double features, I did go the stereotypical route with Jordan Peele’s Get Out. However, I don’t think you can get enough commentary and diversity in your film digest, and I know there is still a bunch of people that haven’t seen Get Out and I know there is a ton of people that have missed Tales From the Hood, so it’s never too late to add these to your film watching portfolio.

October 26th: Poltergeist

The Gadgets From Poltergeist That Fueled Our Nightmares | WIRED

This film has so much heart, it’s almost silly to call it a horror film. This was the first horror film that I watched and I definitely think that this is probably the greatest starter horror for younger folks. A suburbia nightmare–little Carol Anne makes contact with the beyond only to get sucked into another dimension. Her parents take dire measures in order to get her back, not absent of random bumps along the way. What could cause such a powerful poltergeist in the first place?

I actually found a cocktail called The Poltergeist and thought that was fitting, of course. However, I think there isa sort of softness that comes from this film due to its adorable protagonist. Therefore I’ve chosen this pastel green shake that matches the softness: a Green Grasshopper Shake. The food pairing is a disturbing one given its context in the film, but at least it will be tasty up until that point and make great leftovers: Honey Garlic Chicken Legs. I’m a big fan of cold left over chicken legs, given my face doesn’t fall off afterwards. A good double feature for this one is the classic film When a Stranger Calls, which is another starter horror that leans more on the edgier side.

October 27th: Evil Dead II

Evil Dead II (1987) - IMDb

Ah, one of my favorite movies of all time. And before you protest and say that you have to watch the first one before this, you’re incorrect. This film is pure horror-comedy genius from Sam Rami and features Bruce Campbell as the iconic Ash, fighting the Deadites one groovy step at a time. It’s corny, it’s gory and it’s hilarious. It’s also a remake of the first one and a sequel at the same time, making the Evil Dead trilogy one of the most unique ones to date. Hail to the king, baby.

Which brings me to the OBVIOUS follow-up Army of Darkness. The way the film ends, it’s impossible to not throw on the next one to see how Ash holds up in medieval times. As far as pairings go, this Maple Mocktail will make you feel all cozied up in a non-cursed cabin. However, if you want to jump head first and start reciting the Necronomicon for fun times, pair it with the shooter and the cocktail The Cabin and the Deadite and snack on some Necronominoms.

October 28th: [Rec]

Why the Terrifying REC Ending Works So Well

I’m a fan of Spanish horror, if you can’t tell. This goes down for me as the best found footage horror out there, and if you don’t agree, you can at least agree it’s one of the scariest. A television reporter and cameraman follow medical personnel into a dark apartment building and are locked in with something sinister. The US remade this film under the name Quarantine, so if it sounds familiar, that’s why. But sit through subtitles one last time to get a good scare from across the pond.

I went Spanish again with the drinks and snacks, so we have a delicious, refreshing Rebujito for the cocktail of choice. As for the zero proof crowd, a Virgin White Peach Sangria will give that refreshing feeling much like the Rebujito. Since we are creating a creepy atmosphere, pair it with some comfort with this Spanish potato salad: Ensaladilla Rusa. Sticking with the twisted zombie vibe, I am pairing Pontypool, a fun Canadian horror film, with this film.

October 29th: The Final Girls

The Final Girls': LAFF Review – The Hollywood Reporter

This film is such a fun meta-horror film that it usually soars to the top of my list when I need a quick recommendation. It works for both die-hard horror fans and newbies, as it describes the tropes much like Scream lays out the rules. With a bunch of familiar faces as well as all of them well versed in comedy acting, it’s an easy, feel-good movie meets a gory slasher flick. Oh, it also tiptoes on fantasy with the whole being-in-the-actual-movie plot. What are you waiting for? Call your friends and let’s get the ball rolling for a Friday night romp.

Since Billy’s choice of weapon is the large, heavy blade, I found a cocktail called the Liquid Machete. It seemed fitting for this hilarious bloodbath. But if you are more of the Kumbaya type, dig into this delicious Mexican Hot Chocolate. For food, I leaned into the camping vibe and found this delicious Hawaiian BBQ Pork Walking Taco that allow for easy cleanup post movie night. As far as double features go, I remembered this little flick that is a great romp and a fun, quick follow up is the indie film You Might Be the Killer. A unique film format meets an even more unique film form–a perfect start to the Halloweekend.

October 30th: Trick ‘r’ Treat

In Praise of Trick 'r Treat, the Ultimate "Halloween Night" Movie - Paste

This. This film is the ideal Halloween movie and I stand by that. An anthology horror tale meets a comic book tone laced with camp and comedy. All the tales intertwine with each other and blossoms into this fun twist on Halloween traditions. Not to mention, it introduces one of the most adorable horror villains, Sam. All you gotta do is follow the rules to avoid his bloody wrath. Simple enough, but a colorful cast of characters seem to make things a little difficult for Sam to catch up. I could watch this film over and over during October, so therefore it is an annual tradition of mine.

As far as snacks and drinks go, we have to let the Halloween flag fly. I found a spooky cocktails complete with theatrics known as The Witch’s Heart. Purple, spooky and bubbling with delight. If we are craving the more sweet style of life, I also found this lovely Pumpkin Milkshake. Since this film is a grab-bag of spooky delight, snack on this Sweet and Salty Halloween Snack Mix. As far as fun films suited for spooky season go, my double feature for this film is a guilty pleasure for many, and that is the 2001 film Thirteen Ghosts. The ending of this film is very bleh, but Matthew Lillard is a yes in my book.

October 31st: Halloween

Halloween' 1978: The Times Finally Reviews a Horror Classic - The New York  Times

You had to see this coming, whether or not you paid attention to the calendar. John Carpenter’s Halloween is a tried and true masterpiece that has served influence for hundreds of horror films, so it is always a good call to re-watch it come Halloween time. What’s not a better time than actual Halloween night? It’s the tale of Michael Myers that feels even fresher than before with its new sequel that came out only a week ago, so the time is better than ever to revisit the original!

The obvious double feature is a triple feature with the 2018 Halloween and Halloween Kills following up the classic. This is a night to go all out, but sometimes you want a quieter night in, so let’s pair this up with some Michael Myers Jell-O Shots to add to some booze to your snacks. A mocktail for the night is the Cereal Killer (minus the Cognac) or plus the Cognac if we want another cocktail for the night. To up the comfort and the tasty treats, snack on some adorable Ghost Pizza Bagels. Be sure to toast to Michael all dressed up in his ghost costume.


Conclusion

So there it is! All 31 days laid out and prepped. This list is formatted for October but feel free to use it year round when in a good mood for a scary movie night. Thank you all for tuning in each week and jumping down these delectable voids full of blood, booze and bread. Coming up next week The Mother of the Void makes her noble return after a tiff with a rogue charging cable and I am going to take a look at Halloween and what makes it such a masterpiece. Until next time, you lovely spelunkers…

31 Days of Horror: Week Three

Welcome back everybody to The Void of Celluloid’s 31 Days of Horror. The whole concept of this series is to go through each week of October and pair snacks, drinks and double features to The Void’s picks. This is the first year of this series, so the standard calendar is a lot of staples and not a lot of sleeper hits. However, it is not a bad thing to revisit some of the classics. We are hitting the halfway point of October, so we have to celebrate spooky season every second we got! Here is the calendar:

I’m really excited to revisit the picks of this week, as we have some killer classics here. You can find the kick off of this series here and the bloody sequel here. Alright, let’s set up this trilogy of good spooky fun, shall we?

A Micro-rant from The Void

For those that are going to stay away from some of these films because of tiny little words you have to read, please try and push yourself to do so. There will be another subtitled movie this week as well as next week, and if you aren’t open to subtitles, you’re going to miss out on a lot of good horror. As Bong Joon Ho says “Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.” Alright, micro rant over, let’s get to the goodies.

OCtober 15th: THe Orphanage

If you somehow missed this movie during its long Netflix reign during the early 2010s, you missed out. That’s why it’s here. El Orfanato or The Orphanage is a compelling ghost tale that will have you rethinking every time someone knocks on a wall. Laura moves her family back into her childhood home, which was once an orphanage specifically for handicapped children. Not long after, her young son combats transition by having an imaginary friend. However, it turns out this friend might not be so imaginary. You might wanna have some tissues with you if you’re a hair-trigger weeper like I am when anything is remotely sad.

The double feature for this one has to be Guillermo del Toro’s The Devil’s Backbone. He actually produced The Orphanage and both this film and Pan’s Labyrinth became the top grossing Spanish films of all time. Since both films take place in Spain, we have to indulge ourselves with some Spanish food and drinks. One of the most popular cocktails in Spain is the Agua de Valencia, a delicious drink reminiscent of a mimosa. For our zero-proof crowd, there is a delicious dessert drink known as Leche Merengada which is a creamy, spiced milkshake style drink (for those lactose intolerant and savvy in Google Translate/fluent in Spanish, you can find a dairy free version here). As far as snacks go, almost everyone loves potatoes, so pair all of this with a simple, spicy Patatas Bravas.

OCtober 16th: Psycho

Psycho's Shower Scene: How Hitchcock Upped the Terror—and Fooled the  Censors - HISTORY

As we know, Halloween Kills is out and while it is general trivia knowledge for most horror fans, a lot of people do not know that Jamie Lee Curtis is Janet Leigh’s daughter. Psycho is a must see and showcases stellar performances from all of its cast, especially Leigh and Anthony Perkins. Despite Peeping Tom being the first slasher film by technicality, it never reached as great of heights and praise as Psycho did. Marion Crane decides to make a run for it with her employer’s precious deposit, but due to a storm has to take refuge in the Bates Motel. I think we all know where it goes next… Nevertheless, Psycho still packs a punch despite its second biggest twist being spoiled for most film lovers and therefore, it makes it onto the calendar.

Psycho just screams classic to me, so therefore I pair this one with a nice Negroni. Believe it or not, I actually found a non-alcoholic Negroni which I thought was impossible, but it has great ratings, so check it out. What pairs nice with the sophisticated Negroni? A bunch of snooty (but tasty) things, but for some reason, these rich Bacon Mac and Cheese Bites from Entertaining with Beth will do too. Double feature wise, you could go with the previously mentioned pioneer Peeping Tom or you could go with another Hitchcock horror The Birds. It’s the simple decision of not trusting men or not trusting birds, you decide.

OCtober 17th: THe Conjuring

The Conjuring (2013) - IMDb

Ah, there’s nothing like family and building a home together, right? Gathering together and playing Hide-and-Clap sounds like a very wholesome thing to do? Well, when there is a possible witch/demon terrorizing your family each night, it’s not as picture-perfect as you would imagine. This is the first installment of the now expansive Conjuring Universe, but nothing quite beats the first one, which delivers the suspense upon every single viewing. Too bad that it spawned another wave of copycats and cheap spinoffs, but I don’t think any of its expansions can take away from this gem.

The film takes place in the 70s, complete with Patrick Wilson sporting some epic sideburns. Therefore, I’m going vintage with these pairings. If you’ve never had a cheeseball before, you have to try this classic cheeseball recipe from Tastes Better from Scratch. In the mood for something sweet and more with the season? Check out this this pumpkin cheesecake ball. If we’re keeping it classic 70’s, we should go for a nice bright Harvey Wallbanger (here’s a virgin one) to lighten up the mood for this dark, grim film. The double feature for this one is surprisingly not from the Conjuring-Verse, but rather a Mike Flanagan film Ouija: Origin of Evil. It matches The Conjuring‘s tone and because of its predecessor, some horror fans missed out on this one.

October 18th: The Shining

The Shining -REVIEW – The Martini Shot

In October, you try to shuffle in some new finds, but sometimes nothing beats the tried and true classics. That is why The Shining is on here. I watch it at least once a year, mainly to play detective to see if I get anything new from it. I feel like I don’t really need to explain the plot of this one other than it deters heavily from the book. Why I bring this up is mostly due to my double feature, but also a push for people to read the book, as it has a lot of sentiment that the Kubrick film is obviously lacking in.

There is now an obvious double feature for The Shining which is its sequel Doctor Sleep. Yes, Mike Flanagan again. Here he does the impossible task of marrying the two versions of The Shining, and he pulls it off beautifully. You can read more about it on The Void of Celluloid here: We Love You, Mike Flanagan. For this film, I went more with a themed cocktail meets generic yummy carbs, since alcohol is such an important plot point in the story. Yes, suggesting a cocktail is opposite of the point which is why I will lead with this mocktail recipe that sounds utterly amazing: Cranberry Apple Cider Mocktail. Which is red. I think you can see where this is going, just don’t spell this REDRUM cocktail backwards. The delicious side I chose to pair with this deep red punch is the viral Cheese and Garlic Crack Bread.

October 19th: Scream

13 Seriously Effed Up Facts About 'Scream' - MTV

This film is celebrating its 25th anniversary this year so it’s time to rewatch it if you haven’t caught it in theaters yet. This film is Wes Craven’s comeback as well as the father of meta-horror that a lot of modern horror comedies use today. Also, I think it is impossible to not fall in love with Sidney Prescott’s badassery. Oh, and Matthew Lilliard’s acting. There’s a lot I love about this film.

Its double feature has to go to its sequel Scream 2, as I think there is a lot that they did better in regards to it being a horror movie. There is scarier moments in the second one at least, so if you want to go more pedal-to-the-metal with your scares, don’t skip this one. These two films drip with teenage/college student energy, so I decided to go for a dive bar meets high school party aesthetic with the pairings. We got a lovely light beer cocktail known as a Chelada, which is like a Corona with lime on steroids. Since we already did Shirley Temples last week, we’re going to go with another non-boozy classic: the Roy Rodgers. Pair this off with some adorable, salty Bacon Cheeseburger Bites and you got yourself a spooky rager.

OCtober 20th: Housebound

Housebound review: Perfect horror for the Covid-19 quarantined - Vox

If you couldn’t tell, I am quite a fan of Kiwi humor. Housebound is another title that lurked around Netflix for a while, and I remember watching it without any prior knowledge. I was confused, but once you realize it is a comedy through and through, it gets absolutely hilarious. Therefore, I want to use this platform to clarify and shine some more light on this lost gem. Kylie is forced to return to her childhood home under house arrest, trapping her inside with the supposed evil entity that lives among her and her family.

This is a fun movie and should be paired with equally fun things. Therefore I’m pairing it with one of my favorite movies The Lost Boys. Because who could say no to some glam punk 80s vampires? This is a mixed bag of a night, so why not mix it up some more with this Halloween Sangria or a prom-style punch? In my mad search for recipes, I came across these jalapeno popper pigs in a blanket that I could not help but share. Say hello to a wild Wednesday night!

OCtober 21st: Ringu

Ring (1998) | Trailer - YouTube

I’ll be honest, I am not a big fan of the American The Ring. I feel like it’s a cheap knockoff of the rich story that is Ringu. If you have only seen the American version, I urge you to watch Ringu this week. It is genuinely one of the creepiest films out there. It still centers around the cursed tape that is well known but its use of practical effects as well as the absence of that blue filter that was so popular in early 00s horror (and promptly killed by Twilight) make this film soar above the American remake.

The obvious double feature is another story done so dirty by American film studios: Ju-On: The Grudge. A “slower” burn than the first film, but a truly rich and amazing ghost story through and through. Since we are enjoying two classic Japanese horror films, I decided to pair it with onigiri, which is impossible to hate given its endless combinations and simpler assembly. Of course, I involved sake, so please enjoy the highly rated Sake Southside from Tasting Table (a Japanese Cream Soda for the non alcohol drinkers).

Conclusion and what’s Next

I’m so happy to see people enjoying this series and I enjoy making it (even though it makes me hungry). There is a lot coming up with The Void of Celluloid in the next few months from a podcast to a Patreon startup to oh so much more and I am excited to share this journey with all of you. Please be sure to follow and share this with your friends and loved ones and I will see you next week as we celebrate the final ten days of TVOC’s 31 Days of Horror.

Cat People: A Mother of the Void Review

This week the Void has assigned me 1942’s “Cat People.” I am going to try not to read too much into the fact this film, at its core, is about sexual repression. If you need an introduction, check out my last review on The Black Cat.

Cat People: Irena and Oliver’s Introduction

CAT PEOPLE (1942) | One Perfect Shot Database

The film opens in New York City’s Central Park Zoo where an attractive young woman is unsuccessfully trying to sketch the panthers. With disgust at her efforts, she rips a page from her notebook and attempts a 3 pointer at the trash can across the way. An equally attractive young man is standing beside the trash receptacle at a food cart. He picks up the discarded attempt and point to a sign that reads, “Let know one say, and say it to your shame, that all was beauty here until you came.” He succeeds in gently throwing the paper into the can, garnering an approving nod from the artist.

Oliver, a young ship’s engineer, designing not running, sees this as his in to approach Irena. She disagrees with him that she is an artist, she works in the fashion industry and a sketch drawer. Irena rips and throws her latest attempt to the ground, prompting Oliver to quote the littering condemnation again. Irena ignores his flirtation and begins to put away her supplies, readying herself to leave. They engage in unheard small talk, as they leave the area. Irena’s discarded sketch blows in the wind and turns to reveal a crude drawing of a leopard impaled by a sword. Now to all you young men out there, let this be a lesson, just because a woman has pretty face, that doesn’t mean she is not a littering, wanna be animal abuser. Just saying…

Oliver and Irena walk towards her apartment, where she reveals she is from Serbia. He asks her to spell her name for him and coyishly replies, “Are you going to write me a letter?” Oliver says he would and in the letter, he would invite her to tea. Irena side eyes him and playfully shakes her head no. They arrive at Irena’s house, where she brazenly invites him up to her apartment for tea. Don’t forget that this is 1942, and this litterbug has invited a man she just met up to her apartment alone. She is dangerous I tell you! How dare she?! Upon Irena asking him for tea, Oliver replies, “You make life so simple.” I can only imagine what the audience at this time must have been thinking.

My first thought was, what is another word for simple? EASY! Did he just call her easy? Well I can only assume that a woman who did such a thing in this time period would have been thought of as that. Oliver begins to follow Irena up the stairs where he stops for a moment to say, “You know, I never cease to marvel at what lies behind a brownstone front.” Good thing to remember….that whole book and cover thing. Irena admits that she has never had anyone in her apartment, and then immediately put poor Oliver in the “Friend Zone.” After letting Oliver into her apartment, he make a satisfied sound as he breaths in deep. Irena identified the pleasing smell at Lilage, her perfume. Oliver describes the scent at “alive”…can you say pheromones?! It appears that Oliver will not be in the FZ for very long. 

Publicity stills of the original Cat People!

Irena and the Cats and Alice’s Introduction

To show the passage of time, the apartment is now dark, and Oliver has made himself at home, laying on Irena’s couch as she leans up against the wall softly humming. The loud sound of roaring interrupts her song. Irena explains that this is the lions for the zoo. She says that she finds this sound comforting, like the ocean. Some nights, she state a different sound creeps in. That of the panther, which sounds like a woman screaming, which she does not like. Oliver lights a cigarette, in which its glow shows how dark it has become. She turns on the light and shares how she loves the dark.  As Irena clears the tea service, Oliver notices a statue on a table. Irena identifies it as King John, and of course, in Oliver’s eyes, there is only one King John, the English King.

She corrects his with a laugh and tells the story of the Serbian King John, and how he save the people from the “Evil Ways” to which they had fallen. Irena explains how the Mamelukes came to Serbia and made the people slaves. The slave were first “good and worshipped God in a true Christian way.” Slowly the people changes, and in her village, when the Serbian’s were liberated by King John, he found that the people were bowing down to Satan. They had become evil. King John killed all but the “wisest and most wicked” were killed. The worst of the worst escaped into the mountains. Unsure of how this pertains to Irena, Oliver presses further. Irena, head tilted downward in shame, explains that the legends of these wicked one haunt where is was born.

The clock strikes six and Oliver realizes he has stayed too long. He askes to see Irena the next day for dinner. Here we see Oliver, descending the stairs, and out of the friend zone, as he continues to stop and look up at Irena who is playfully smiling at him as she leans over the balcony. 

Now we are at Oliver’s work, where we see men looking over blue print. The sound of a small meow, can be heard, and Alice, one of two women seen in the scene (the other is a receptionist, way in the background), goes to Oliver’s desk where he has a kitten in a box. Alice fawns over the sweet little Siamese cat, and he says he bought her for a friend. Alice enquires about this friend and if she knows her. Oliver says she doesn’t but she will like her. Alice says, cheerfully, but with a slightly tight jaw, “Well if you like her, then she will be alright with me.” I see you Alice, and have been there plenty of times in my life. Talk about being friend zoned. 

Oliver is shown outside Irena’s door, box under his arm and his coat showing signs of a downpour. He rings the door bell and happily shows Irena her present. Irena is obviously not pleased, and the kitten is hissing and terrified. She states that cats don’t like her, while Oliver doesn’t listen, and only goes on to share how great Alice and the kitten got along. Irena repeats her declaration about cats, and asks if they could take it back to the pet store and exchange it for another animal.

The two of them go to the pet store in the rain, and upon entering the store, all the animals start to freak out and create so much noise that the two of them and the store owner have to go outside to hear each other. Irena states she would rather stay outside, while Oliver goes in and picks out a canary. The store owner goes on to explain how the animals can tell when someone is not a good person, especially cats. Oliver, plays with the kittens and ignores the woman’s observations. Irena approves of the canary from the window. 

The wedding and its lack of copulation

We now see Oliver asleep on the couch at Irena’s apartment, while she sits on the floor beside him, the fire reflecting off of their faces. Oliver wakes up and asks Irena if she loves him, and she affirms, not with a yes, but an mhm. Oliver confesses his love for her, but he wonders at the fact that he has never kissed her.  Irena confesses that she has dreaded this upcoming conversation. She tried to stay away from love and never meant to love him. Oliver, in his very American way states that she has nothing to be afraid of, that she is in America now, and she is normal because she loves a normal American like him. He gives her a very half assed proposal, and they embrace, with Oliver softly resting his lips on the back of her head. 

Cat People (1942 film) - Wikipedia

Well despite never kissing, and I wonder how they got around that during the whole, “You may now kiss the bride” business in the ceremony, we are at Oliver and Irena’s reception. Of course nothing says wedding reception like three cooked cow heads in the window of the only Serbian restaurant in the area. How romantic.  Watch out Void, when the day comes for your wedding, I have a theme in mind. Irena and Oliver are surrounded by Oliver’s coworkers. The Commodore, Oliver’s boss, leans in towards Alice, who is sitting next to Irena, remarking to her about the bride’s beauty but he hears she is a bit “odd”. Alice, the ever loyal friend of Oliver, defends his choice in bride and is optimistic about their future.

The Commodore then stand and raises his glass to toast the bride, (thanks to Hamilton, every time I hears someone say , “To the Bride”, I start singing to myself…). The commotion of the toast draws the attention of a beautiful woman who is seated across the restaurant. The pervy Commodore, as I wrote in my notes, sees her and comments on how she is “something.”, and Doc, their coworker, remarks she looks like a cat. As Irena is thanking Alice for putting together the party, the mysterious woman walks up to the party’s table and greats Irena in Serbian as “Sister”, causing Irena much distress. Oliver just laughs it off. 

As Oliver and Irena are dropped off outside their apartment, Irena tells Oliver that she is going to beg him to be “kind and patient”, when it comes to being intimate. I mean it was 1942, and they didn’t come right out and say that, but we get the idea. Oliver assures her that he will give her all the time she needs. I found myself rolling my eyes at this and scoffing. Sure, he will. Between this and last week’s movie, I am beginning to think not a lot of action happened during the honeymoons of the 30’s and 40’s. 

The newly married couple go into their apartment, with Irena in her bedroom behind a closed door and Oliver on the other side. He tells her goodnight, as she slowing falls to her knees. Her resolved falters as she tentatively reaches for the doorknob, but the menacing sound of a cat yowling,  causes her to pull her hand back. They sadly tell each other goodnight and it fades to black. 

Madness Behind the Beauty

We next see Irena a month later, at the panther’s cage, visiting the zookeeper. He makes the observation that no one who is happy comes to see the panther. Irena remarks on his beauty and the keeper, rebukes her, stating he isn’t beautiful, he is evil. He then quotes Revelations, where it is states the worst beast is like unto a leopard. “Like a leopard, but not a leopard. I guess that fits this feller,” and Irena sadly agrees. 

Irena is working in her office, and the imagery sets up a beautiful scene and metaphor. She has a painted screen of a panther behind her easel where she is working. The reflection of the bird cage Oliver gave her surrounds the panther’s head. It is a wonderful representation of Irena being caged up. Who she truly is, locked away. Irena wants to hold the canary. However, when she tries to catch him in its cage, she frightens it to death. The deep sadness on her face is heartbreaking, but it is also apparent that it is nothing new to her.

CAT PEOPLE (1942, Dir. Jacques Tourneur) – Booker's Guides

She gently places it in a box and goes for a walk to the panther’s cage. Then she THROWS THE DEAD BIRD INTO ITS CAGE! I know there were no signs stating don’t feed the animals, but just because a sign is not there, doesn’t mean it is right. But what do you expect for a person who won’t even follow eloquent signs about not littering?

Later that evening, Oliver teases Irena about mourning the bird. She explains to him that it is more than that. That she is jealous of other women. Women who can live full and happy lives with their husbands. Oliver remains dismissive of her feelings. He admits that he has been trying to “kid her out of it”, these ideas she has about her past and herself. He convinces her that she needs to see a psychiatrist, and she readily agrees. 

We see Irena under hypnosis, talking about the evil that is in her. Upon waking, she states she knows nothing, but Dr. Judd, assures her he has everything written down. He lays all her fears out, and basically says, this will be a piece of cake, and she just has daddy issues that steam from her childhood. He tells her not to worry, and she is to tell her husband nothing. Irena returns home and finds Oliver and Alice on the couch. It is revealed that Alice is the one that recommended Dr. Judd to Oliver and that he had told Alice everything. Irena shows visible betrayal and dismisses Alice despite her apology. Oliver defends confiding in Alice and calls her a “good egg”, who understands anything. Irena replies, “There are somethings that a woman doesn’t want other women to understand.”

Irena retreats to bed, and wakes to what could almost be a siren’s call from the panther. She goes to his cage and their pacing matches each other. When she returns home, Oliver is waiting for her in the lobby. He again apologizes for betraying her trust. She gives him a warning to keep her happy, because that is what keeps what is inside her locked away and harmless. He tells her he would do basically anything to make her happy. Anyway……

Alice and Oliver v. Irena

More time passes and Oliver is a few more months into his sexless marriage. He and Alice are working on plans for a ship. Alice points out that Oliver keeps giving her wrong figures and that they should take a break. She asks him if anything is wrong, and he keeps his word to his wife and says no. Then Alice astutely remarks, “It must be marriage.” Well, this opens up the flood gates.

Oliver confides his worry about Irena and that he ran into Dr. Judd who confirmed she hadn’t been back to see him since the first time she came to his office. This ladies and gentlemen is why we now have HIPPA laws!  Alice shares her confusion, since Irena wanted to be cured so badly. Alice acknowledges that this must make Oliver very unhappy. He then goes on a small monologue of how he had never been unhappy before in his life, and then he got married. This causes Alice to start crying, catching Oliver by surprise.

He pulls her behinds some filing cabinets, where Alice admits she can’t bare to see him unhappy because she loves him. She apologizes for her confession and acknowledges that Oliver loves Irena. He replies, “I don’t know.” He admits that he doesn’t know what love is and he has no idea if he is really in love with Irena or not. Well Alice see this opportunity to give ole Ollie a lesson on love. She explains that what the two of them have is love. Alice sees her shot and she takes it.  She plants a seed in his head that there is something better for him, waiting, standing right in front of him. Opportunistic bitch!  Oh, sorry, did I say that out loud.

We find Irena back at the panther cage, where the zoo keeper has left the key in the lock of the cage. She returns it to him, where it is established that he forgets it often. She is then greeted by Dr. Judd, who has sought her out to enquire why she missed her appointment. Irena states that she doesn’t believe he an help her because she feel the Doctor thinks it is her mind , not her soul that is troubled, and the two are not the same thing. She dismisses him and leaves. We next find the unhappy couple in their apartment, where Oliver verbalizes his worry about their relationship.

BAM | Cat People (1942)

Irena says she loves him, but he doesn’t return the sentiment, he just states he feels they are drifting apart. He confronts Irena about not going back to Dr Judd, and lets it slip that he confided in Alice. This sends Irena into a quiet rage, and the ‘Fuuuuucccckk’ look on Oliver’s face is almost comical. He tells her he did promise they would not fight and they need to calm down. As we all know that is exactly what you say to your wife after you admit that you are confiding in another woman she specifically asked you not to. We all know that “calm down” is part of every woman’s love language.

They then quickly retreats to the office, with no reply from her. When he arrives at the office her tells the cleaning lady he is going to a restaurant around the corner. It is here the waitress, who is a woman of color, has on a very unfortunate uniform. Lets all just sigh, shake our heads and remember what idiots society was in the past. We cut to Alice, working alone in the office. The phone rings, and she picks it up, but there is no answer. When she hangs up, it shows that Irena was on the other side of the line. Now even the most level headed person would be seeing red. Not to mention someone who believe they turn into a panther when provoked to jealousy, lust or rage. Nice kitty!

Alice bids adieu and other horror history In Cat People

Alice turns off her light table. As she leaves the building, the cleaning lady tells her that Oliver is at the diner around the corner. She joins Oliver at his table. Irena, who is walking in the neighborhood, sees the two of them through the window of the diner. What she doesn’t see is Alice telling Oliver he needs to solve his own problems and encourages him to go home and make up with his wife. Oliver calls her “swell” and Alice delivers my favorite line in the film, “That’s what makes me dangerous. I am the new type of other woman.”  Irena retreats as the two exit the diner and Oliver asks Alice if she is cold, to which she replies, “ A cat just walked over my grave.”  Oliver offers to walk her home, but she declines, stating she is a “big girl now” and goes on alone.

Val Lewton's, CAT PEOPLE – Once upon a screen…

What follows in the most famous scene from the film as well as in horror movie history. Alice is walking along the sidewalk, crossing under streetlamps as she goes. We hear the sound of her heels clicking on the concrete and the sound of Irena’s echoing behind. The sound of the companion footfalls is not what startles Alice, it the sudden lack of them that causes her alarm. She starts to look over her shoulder, hurrying down the street faster. She stops under a streetlight as a growl is heard. It is quickly followed by the sound of a bus pulling up in front of Alice. This is said to be the first jump scare in horror movie history. We expect one thing to happen and something else happens, seemingly out of nowhere. 

Tragedy Has Struck

Two whole pages went MIA. Sorry guys. However, I really enjoyed this movie and cannot recommend it more. It truly is classic horror.

Conclusion on cat People by the Void

Well, it seems as if the Mother of the Void enjoyed Cat People quite a bit, it was fun to find an older horror that I had seen and she hadn’t. I promise nothing rude/call-out-y from the subtext, just thought you would find it interesting, especially having Irena as a tragic character. The next one Mother of the Void will be doing is the classic 1960 film Eyes Without a Face (Les Yeux Sans Visage), a very interesting, very French horror drama. I’m very excited to read her review/summary of that one. Anyways, come back this Friday for the second installment of the 31 Days of Horror, paired with food, drinks and double features. We look forward to seeing you later on The Void of Celluloid.