A Toast to the Creative Kill: Raise a Glass to Freaky

A shared experience for every horror fan is sitting in the theater for a new horror film that they already know how it’s going to end. Whether it be too much advertisement or the writer’s pitfalls, it can be a semi-disappointing viewing experience. The viewer doesn’t necessarily want a M. Night Shyamalan sized twist at the end to prove themselves wrong–they don’t really care if they’re right–but they would definitely appreciate some spice to keep the experience enjoyable. There is one technique that can be a saving grace for a horror film: a creative kill.

Horror will remain one of the more creative genres on the film spectrum. However, there is monotony that future creators are trying to dodge when releasing a new film out into the world. One of the genres that faces the most monotony is the slasher genre. With its never-ending sequels and reboots, it seems like all the kills of characters that you care less with each film never hit quite as hard as watching the original. Even A Nightmare on Elm Street with its dream realm lost its spark as the sequels seemed to go on and on, despite its open availability to do something new and out there.

Creative kills are a thing that horror creators do to engage its audience. It surprises them in moments rather than the whole plot. Sometimes it works better than trying to add a twist that people end up anticipating in the first place. I can save a film too. If a viewer remembers a certain death, even if they didn’t enjoy the film as a whole, that could be considered a win.

Warning: Spoilers past this point


BREAKING THE VIEWER’s TRUST

While a horror fan knows not to get too close to any characters in their favorite horror series, it happens anyways. They want the best for these characters ultimately. When it comes down to their brutal death, there is a powerful emotion that comes with it. Sometimes they don’t see it coming. Most of the time they do see it coming and convince themselves that the writers simply wouldn’t do that. This is what makes this technique the cruelest of the creative kill.

Fear Street: 1994

Creative Kills

These attachments are usually side characters that shine just as bright as the main character. A main example in recent times is Kate in Fear Street: 1994, which is one of the most unfair and creative deaths I’ve seen in the recent years. Kate is lovable. She and her best friend Simon have some hilarious, if chaotic, moments together that just makes the audience care and love them more.

As the film arrives at the final grocery store showdown and the Skull Face Killer locks her in a chokehold, the film convinces the viewers she isn’t going to die. She had escaped death too many times to count prior in the movie, she has to get out of this. He slams her down on the table and her head slides closer and closer to that bread slicer. The film convinces the viewers once more someone will save her since this team is always looking out for each other, and her screaming her head off has to attract one of them to help her. All that hope shatters into pieces as the audience gets a close up shot of her head becoming shredded by this once ordinary, now malicious machine.

Scream 2

Creative Kills

Another way to shock the audience is killing off what seems like a quintessential-to-the-plot character. In recent years, the fake-out death of Marty in The Cabin in the Woods is an example of this kind of kill. The one that has stuck with many horror fans however was the killing of Randy in Scream 2.

Lovable, adorkable Randy who was an easy target in the first film but delivered very necessary information on the tropes of a horror film that saved a lot of his friends’ asses. He, like us watching a horror film, knew what pleasant predictability felt like; the first Scream is chock full of pleasant predictability with its main but effective curve being there was a second killer and it was Stu. With its equally enjoyable sequel, we think we are just as self aware as Randy. Therefore, we together are not susceptible to the killer’s tricks.

All of those comforting feelings go out the window, or rather into the back of the van when Ghostface murders Randy in broad daylight with Gale and Dewey so close by. Upon each viewing, the kill is just as devastating as it is the first time. A die-hard horror fan relates the most to this character, and his death dismisses the belief that his knowledge and self awareness alone could keep him alive for another round.

The extreme: Torture porn versus arthouse

There are two genres that have the same level of brutality most of the time. They differ so heavily from each other. The genres are arthouse horror and a genre lovingly known as torture porn. Both feature disturbing images and scarring scenes, but a film that completely relies on tolerance to gore doesn’t mean it’s the most creative. The best horror movies are ones that non-horror fans can watch, in my opinion. It doesn’t mean that they won’t come out unscathed– some of the mentions on this list are disturbing–but it’s not watching people die in bloody, gruesome ways back-to-back.

Torture Horror

These types of films have their fanbases, and I am not invalidating their feelings towards these films. In regards to their accessibility , their grisly goriness earns them their praise rather than storyline. This does not mean that the kills in these films aren’t creative, they are overly creative. However, they lose their impact by having so many creative kills back to back. It allows a new kind of unpredictability that creates excitement for what bizarre thing will come next , which amps up fans of torture porn. This allows for some creative error, because while a lot of these films continue to have out of the box moments, the excitement with each sequel dims and dims as each sequel falls short.

An example of this last year is Spiral, the Saw reboot. While this film was sadly hindered due to movie theater closures due to COVID, there was an overall complaint about seeing things that have already been done before in the franchise. In a series full of traps that are made of the masses’ worst nightmares, it a risk to make so many movies which ultimately turn away a general crowd due to its brutality and turn away its cult following due to running out of ideas. You can see this same progression in many of Eli Roth and Rob Zombie films too, meaning that going to the extreme all the time can burn out the creative spark that make this gory flicks tick.

Arthouse Horror

Another genre of film that can be hit or miss but can teach the torture porn genre a thing or two about how frequently to use creative kills is the arthouse horror genre. The obvious recent examples are films such as Hereditary, Midsommar and The House That Jack Built. These films can exhibit as equally creative and disturbing scenes as the torture porn films, but these films use a one-and-done method. They’re films where it is okay if they’re not watched again, since they can be deeply disturbing, even for the most desensitized horror fan, but there is no hinderance in watching it again, as most of the time there is opportunity to understand and see more than one saw in the first viewing.

Comparison

While most arthouse horror have things that are odd and out of the usual, it is usually in a slow burn format rather than the fast-paced timing of torture porn movies, which allows for a break from the gore but also creates a foundation of dread to build upon during the film’s usually longer runtime. Much like the grisly films mentioned above, these films are not everybody’s cup of tea, but they are the films that are shaping the horror scene. More mainstream films follow the influence of arthouse horror, which includes the films from recent horror powerhouse Jordan Peele, who utilizes disturbing images and creative kills to his benefit in both of his films Get Out and Us–specifically the use of the giant scissors as well as the deer head stabbing.

Overall, both of these genres have changed what modern horror fans are looking for in horror films. Whether it be an out-there arthouse film or a grisly never-ending death hour, both genres hold heavy influence over the modern-day horror film, with viewers seeking out more and more creativity in the standard mainstream horror films that come out year after year.


Conclusion

It is undeniable that the use of creative kills defines what the horror genre. It also separates it from the similar thriller genre. When used correctly, an out-of-the-box kill can shake things up for a seemingly predictable movie. This can be used to the enjoyment of the general viewer and the horror fan, even if it involves some broken hearts along the way (I’m still not over Randy’s death). However, when used too often, it can alienate both the casual horror viewer as well as its cult follower. Nonetheless, it is an essential technique that is used by the best horror filmmakers out there and is a one stop shop to make a horror film memorable.

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horror filled tomorrow. See ya next time.

creative kill creative kill creative kill creative kill creative kill..

What’s Coming this Month: February 2023

We made it through January and here we are in February. While February can be sleepy for film releases, there is plenty in store this month, especially on streaming services. There are only two non-new releases (at least in wide release) on this list of what’s coming this month. There are highlights this month–such as Cocaine Bear–and there are questionable releases. However, it’s worth noting what is coming out and when. Check it out below.

Coming to Theaters

February 3rd: Knock at the Cabin

February Horror 2023

The latest M. Night Shyamalan film is upon us as of today. Its trailer insists it will keep you guessing, but does that have to be said for his films? Known for their iconic twists, I don’t think so. With a star-studded cast, notably the return of Rupert Grint to the silver screen, the performances will carry this film. However, I haven’t gotten my hopes up for a Shyamalan film in a while, so I don’t know how this one is going to go. February is a dry month for films anyways, so this might be your best option.

February 15th: winnie The Pooh: Blood and Honey

Winnie-the-Pooh: Blood and Honey Trailer, Cast & Everything We Know So Far

Oh boy. The stories of A.A. Milne have recently become public domain, and Disney doesn’t fully own the rights. Within that loophole came this film, which will wreak havoc on us in a few weeks’ time. I don’t really like having my childhood messed with in this way, so I don’t know what to say about it all. However, I hope it delivers on camp and ridiculousness, because there’s no way to make a serious film with this concept and if they try, it’s not going to go well. I am terrified and horrified–Pooh Bear would never.

February 24th: Cocaine Bear

Cocaine Bear - Rotten Tomatoes

Speaking of bears-that-would-never, I am excited for this film. Elizabeth Banks is pulling the reigns for this creature feature, in which a drug fueled incident turns an unassuming bear into an apex predator. While the real story it is based on is quite sad, it seems like we’re going to lean into the ridiculousness by personifying the bear and framing it as a horror comedy from the get-go. It looks violent, it looks funny, and it looks absurd. I’m here for it and its coked-up nonsense.

Coming to Streaming

February 1st: Cooties on HBO MAx

Cooties (2014) - IMDb

This is not a new release; however, it is one that was unsung. Cooties is a legitimately funny zombie film that is oriented around children. I assume that it didn’t reach peak popularity due to the implied violence towards children, however they’re chicken-nugget-turned zombies. Kick back, have fun and laugh at this amazing ensemble cast playing distressed elementary school teachers that end up in a deadly mess.

February 2nd: Skinamarink on Shudder

How 'Skinamarink' Became the Internet's New Horror Movie Obsession - Variety

This was mentioned in my last monthly lineup, but it is to be noted that it is finally getting its streaming release. This experimental indie horror is still making waves, and its recent box office success with its limited release is a feat in its own. Whether it is up your alley or not, it is impossible to deny that this is revolutionary for indie horror and how word-of-mouth can get you so far, especially on social media. Boo for pirating in its early stages, but yay for a wide release after so much anticipation.

February 9th: Piggy on Hulu

Piggy February Hulu

This film made waves in the festival circuit. The Spanish horror-thriller is coming to Hulu early this month. It is a film that focuses on obesity and bullying and has a morally tricky story at its core. When an overweight teen witnesses her regular bullies snatched up by a kidnapper, will she admit what she saw or protect the person that put a cease to her daily torment? It’s a puzzling dilemma that garners moral questions and sympathy. It’s uncomfortable and unruly, much like high school in general.

February 14th: Halloween Ends on Amazon Prime

Halloween Ends' on Amazon this February

It is not jailed on Peacock anymore. Halloween Ends is coming to Amazon Prime. While this film is incredibly disappointing, it is worth watching to receive closure on this new trilogy and the overarching legacy of Halloween in general. It might be a hate-viewing, but it’s a viewing that is included in a service you already pay for. Therefore, it will hopefully continue the message of not wanting any more Halloween films. We’ll see.

February 22nd: The Strays on Netflix

The Strays February Horror

This film looks interesting and if you’re still around after the Netflix crackdown, it should be at the top of your list to check out. It looks as if Jordan Peele and Ari Aster collaborated on a movie, which is intriguing and terrifying, nonetheless. However, the trailer and synopsis didn’t make it clear what this is necessarily about–not a bad thing but leaves expectations a little muddled. Keep an eye out for this when it drops.


What’s NExt

Next post is going to be discussing the third episode of The Last of Us and how we’re getting some amazing queer love stories from the horror genre. Also, as it is Black History Month, I plan on also going into the convoluted and complicated history the horror genre has in regard to tropes and lack of representation and how it’s improving drastically. As for day-to-day stuff, TikTok has been popping off with recent videos and discussions about remakes, online horror and more, so be sure to check that out.

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horror filled tomorrow. See ya next time.

Light Up the Night (and Your Screen) This 4th of July

Ah, the Fourth of July. The best holiday to get drunk and blow up stuff–because if that doesn’t scream patriotism, I don’t know what does. If you’re new here, I have taken the responsibility in turning any moment into a possibility for scares. Therefore, I had to track down what films are appropriate for this American holiday.

Fourth of July Horror

To qualify, the films had to have a Fourth of July related plot point that was consequential to the story. With vigorous research, two films came out on top. Both films were coincidentally released in 1985. so that must have been an explosive year. If you’re into celebrating the holiday or you couldn’t care less and want to tuck in for a movie while it sounds like a warzone outside, let me turn you onto Silver Bullet and Return of the Living Dead.

Silver Bullet

This film falls into the category of forgotten Stephen King adaptations (though every cover has his name announced on it). If you’re a fan of the werewolf genre, this is your movie. Silver Bullet is based on King’s novella Cycle of the Werewolf. Starring 80’s wonderchild Corey Haim, who you might recognize from The Lost Boys, it focuses on a paraplegic kid who believes the random, violent murders happening across town have a supernatural culprit: a local werewolf.

Revisiting the film of Stephen King's Silver Bullet | Den of Geek

This string of murders cancels the local Fourth of July celebration. However, our protagonist Marty steals some fireworks for a personal celebration. These fireworks set of a series of confrontations with the supposed culprit, leading to an investigation on who is the culprit. It’s a film that most of Generation X has on their radar. It was either something that either terrified them beyond belief or inducted them into the horror genre.

I consider this film a clear example of starter horror. It isn’t too intense for younger viewers and is chock full of 80’s nostalgia that parents can enjoy it too–if they haven’t seen it already. It also is a decent King adaptation and has a stellar performance from Corey Haim and quite a convincing villain. Not to mention, the werewolf makeup is quite terrifying. Check this out if your neighbors are annoying you with late night fireworks–maybe consequentially you’ll sic a werewolf on them.

Where to watch: Rent/Buy on Amazon Video and Apple TV. Streaming with subscription on Paramount+. Free with Ads on Pluto TV.


Return of the Living Dead

On the other side of the coin, we have this zany, punk horror comedy. This is one of the most beloved zombie film of all time and has truly ascended with its cult status over the years. It is acutely self aware and takes place over the Fourth of July weekend–so it was practically screaming at me. Released in 1985 and a true riff off of Romero’s zombie flicks, Return of the Living Dead is a true, crazy treat. Two careless warehouse workers accidently lets loose a gas that turns corpses nearby into unkillable zombies. Teaming up with a group of punk teens, they face off against this invincible crowd over the holiday weekend.

The Return of the Living Dead – The Surprisingly Influential Sequel That's  Only Kind of a Sequel - Hollywood Suite

I mean, what couldn’t be more American than dropping a nuclear bomb on the problem and labeling it as a solution, despite making things worse? The film also serves as a scathing commentary on the nuclear scares occurring during the Cold War area and how nuclear warfare could lead to more destruction than aid to their cause. This was a common topic that horror films addressed during the 80s–adding further to my “horror-social commentary” point that I’ve made on many posts (if not all).

This is the film that introduced the concept of zombies feasting on brains as well as one of the first that was not a Romero. On top of that, it is a gorefest that is unrelentless in its hour and a half runtime, making this a quick watch for the holiday so you can go out and catch some fireworks. If not, it has plenty of sequels that are equally ridiculous and could make for an entertaining (and possibly drunken) night.

Where to watch: Free with Ads with Tubi and Pluto TV. Rent/Buy on Amazon Video and Apple TV.


Well, whether you enjoy the holiday or not, hopefully these suggestions give you ideas for some new holiday traditions. The macabre never sleeps, so I hope to offer a tradition for those that indulge in it daily like me. What are your favorite nonconventional horror movies? Let me know in the comments and I can feature them next holiday–it doesn’t have to be horror either, I love unconventional matches for every genre.

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horrific tomorrow. See ya next time and have a great Fourth of July.