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She is the Moment: A Review of M3GAN

January is usually a dud for horror movies. They are low budget and usually low effort, leading to box office bombs and terrible, forgettable pictures. Therefore, it is a shock when we have a film in theaters that has people buzzing. It’s positive buzz as well, rather than the so-bad-it’s-good kind of buzz. Therefore, I had to go see for myself if it really is what everyone is making it out to be.

It ended up being all I wanted. The latest release from Blumhouse: M3GAN is the moment, and exactly the moment we needed this January. With its only big flaw being the first act, M3GAN is a worthwhile one-time watch that will make a great franchise for Blumhouse to expand on and also encourage the company to go with more independent projects due to this financial success. Let’s get into it.

When it’s meta, anything goes

The biggest factor that led to my enjoyment of M3GAN is its self-awareness. It never takes itself too seriously once it kicks off and knows what people want and expect it to be. Sometimes when films are anticipating poor or lackluster reception, they brace themselves and try to throw in some major twist in hopes things seem profound. Nothing is worse than watching a film that doesn’t know it’s a bad film.

M3GAN clearly anticipated its reception and instead went the meta route. This allows a film to laugh with us rather than just us laughing at it. It knows exactly what it wants to be and knows what we expect it to be, therefore it’s going to give it all to us unapologetically. What we get is a film filled to the brim with camp, but its message doesn’t get lost in all of it because it allows us to laugh and interact with it. It’s playing with its audience the entire time.

And the OScar Goes to… the girl who played M3GAN!

New M3GAN Featurette Serves As Reminder For M3GAN's Imminent Arrival - Fangoria

Yet again, we have another example of younger actors knocking out of the park, and then some. We have another complex, kind of cold character in the always brilliant Allison Williams. However, I’m giving the credit to Violet McGraw who played Cady as well as the two actresses who collaborated in creating M3GAN herself: Amie Donald and Jenna Davis. The physical comedy of this film is top notch; therefore, Amie Donald deserves so much credit for playing such a crazed, unhinged AI android. There is a scene in which she full on runs on all fours that had me cackling and impressed that someone could do it so smoothly.

On top of that, Jenna Davis contributed her vocal chops quite a few times–which is arguably my favorite moments of the film. Whenever M3GAN broke out into song, I wheezed. On top of the delivery of M3GAN’s dialogue, the film knew that the robot was the star of the show and casted it accordingly. Paired with some more over-the-top performances from the gullible people asked to back M3GAN’s development, the performances really sent this film home after, again, a slow start.

The Dangers of AI: The MEssage REmains

Exclusive Clip: Watch M3GAN Show Allison Williams Who's Boss – Rolling Stone

Was I laughing almost the entire time? Yes. Was the meaning lost in all of it? Absolutely not. M3GAN has a very crystal clear, Black-Mirroresque message of the dangers of AI and becoming attached to technology. It also has introspection on grief and trauma with talks of attachment theory and children’s exposure to unfiltered technology for too long, too early. Whether it be Gemma’s diminishing empathy due to overworking with robots or Cady’s extreme emotional attachment to M3GAN, the message is heard loud and clear.

One of the most important parts of this movie was M3GAN confronting Gemma on messing with code that Gemma herself didn’t understand. It is a harsh reality of AI–almost every unmoderated instance developed much faster than expected. If AI is unchecked, it could turn dangerous really fast as a ‘conscious’ should not have access to all of this information. We also shouldn’t rely on AI to provide us things either. AI art may seem harmless, but we don’t know the extent of how much data it consumes and how many adjustments these systems have left before they’re out of control of the people who made them.

Final Verdict

M3gan: Solid 7/10

While I sing its praises high, M3GAN is one of those films that will remain great if we keep the amount of watches low. I think it is a highly effective first-time watch with unsurmountable camp. However, I don’t necessarily want to go through the first fifteen minutes of the movie again, as that part was the weakest part of the whole thing. They’ve already set a sequel up for M3GAN. It quietly started production and announced itself opening weekend. I think this is the first time that a franchise is a smart move, as its villain can be in different mechanisms. Also, I want to hear “Titanium (M3GAN’s Version)” one more time.

Anyways, thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horror filled tomorrow. See ya next time.

What’s Coming Out This Month: January Horror 2023

Featured By thevoidofcelluloid 1 Comment

This is the first January I’ve seen in a while that I am actually excited for the films that are coming out. January is a notorious month for horror fans alike as it seems like studios purge their bad horror movies in the first month of the new year. However, 2023 is starting off with some decent picks. If not, there are plenty of classics and recent favorites that are on streaming that you can check out in the meantime.

Let’s kick it off some new releases that are both releasing theatrically and streaming. These films are exclusively premiering for the first time. Let’s get into it.

New Releases

M3GAN – January 6th

M3GAN already dropped this weekend to surprisingly positive reviews. Definitely a better outlook than anticipated. It seems like there is a dose of meta comedy to this film. In the same vein as Child’s Play, the talking doll with an evil spirit has been done before. However, it seems like M3GAN is a modern take that works greatly in its favor. During this slow month for theater releases, go give it a try and don’t take it too seriously.

Skinamarink – January 13th

If you’ve been on the internet, you’ve definitely heard about this one. Skinamarink is an indie darling that recently gained praised due to the pirating of it and the internet praising it. While it is ultimately sad it was pirated, it is something to be said about the excitement and praise that has gathered around a film with a $15k budget. Skinamarink is looking to be the younger depressed brother of the OG The Evil Dead. With its official release, please support this indie darling and rent it, because it’s guaranteed an interesting, psychological watch.

There’s SOmething Wrong With THe CHildren – January 17th

Ah, the kids aren’t alright. Directed by Roxanne Benjamin–a frequent collaborator with the V/H/S group, a family trip goes sideways as some kids go missing. Upon their return, they are acting strange. Not in the traumatized way, but more in the Pet Semetary kind of way. Evil children are always scary, so having parricidal children as the focus of the film is a perfect setup for an unsettling film. This film also stars Zach Gilford, who has been one of my favorites in the past two years–both in Midnight Mass and The Midnight Club. There’s Something Wrong with the Children is set up with experienced creators, so be sure to check it out,

Kids vs. aliens – January 20th

Speaking of V/H/S, this film is a spin-off of a short from V/H/S 2. ‘Slumber Party Alien Abduction’ should ring a bell if you’ve seen V/H/S 2 and it is finally realized in a feature length film that will be available on Shudder. On top of all of this, it seems to have a Stranger Things kind of vibe that might make this film tamer than the inspiration films. Therefore, it might read more like a starter sci-fi horror film–similar to Super 8. Expect a fun, quick time with a colorful explosion.

Teen Wolf: The Movie – January 26th

Now, this is strictly on here for guilty pleasure’s sake. Teen Wolf is an iconic teen horror show that is finally getting a movie spinoff. Almost everyone will be returning for a reuniting battle against evil five years after the show’s strong ending. The only crime here is that Dylan O’Brien will not be returning, which is very sad for Stiles fans like myself. It should be a fun time and is another example of Paramount+ really delivering for 2000’s kids with these revivals.

Now on Streaming

These are films new and old that you need to check out this month to get your monthly dose of horror. These films will be added to these streaming services this month and should offer a variety of classics and newcomers to tide you over this slow month.

The Menu – HBO MAX

Everyone needs to see this film. This was one of my favorites of the year, and while it falls more into the thriller category, there are tidbits of horror. Some of the behavior of the people is horrific enough to qualify it. The Menu is funny, delightful and tense. It’s a great movie and if you have ever worked in the service industry, you will have a profound understanding and appreciation for this movie. If not, this might have you considering how you treat those in the service industry. Watch it as soon as you can.

The Devil’s Backbone – Amazon Prime

A classic film from the legendary Guillermo del Toro. The Devil’s Backbone is a haunting tale that is as visually stunning as it is beautifully written. It’s a creepy ghost story tied to a bloody historical event: The Spanish Civil War. Del Toro loves to focus on Spanish history, especially during wartime. His most acclaimed, Pan’s Labyrinth, is very much a spiritual sequel to this film as it takes place in the aftermath of the Civil War, making Guillermo del Toro the king of tragic child protagonists in Spanish wartime.

The Conjuring – Netflix

You already know this one. The Conjuring marked the fall of the PG-13 horror boom and the resurgence of R-rated horror renaissance. It’s a chilling tale full of family, creepy old houses and possessions. Vera Farmiga and Patrick Wilson kill it as the Warrens, the legendary demonologists. It is a modern classic and is always a great one to revisit if you haven’t seen it in a while.

Zombieland – Hulu

Another classic that has recently had a very decent sequel, Zombieland took the world by storm all the way back in 2009. Horror and non-horror fans alike loved this film, and with The Walking Dead just on the horizon, it was the beginning of the zombie resurgence of the early 2010s. With brilliant comedic performances and enough blood, guts and glory to go around, you better nut up, shut up, and watch this flick again. Preferably with a side of golden Twinkies.

Arachnophobia – Paramount+

It is appropriate that I did a whole series on starter horror, and this is coming to Paramount+. Arachnophobia is one of the classic starter horror films from back in the day and remains so to this day. It’s mildly scary, but enough to startle and creep anyone out. Plus, if anyone legitimately has arachnophobia, this movie is your worst nightmare. Take heed and be sure to revisit this one if it’s been a while.

So, there are the standout films to take note of this month. January is, again, a slow month for horror. But have no fear, we have some releases coming out this year that are sure to stir up the scares. You can read about my five anticipated picks which I discussed right before the new year turned here. Let me know if I missed anything this month and I’ll be sure to add it in a pinch.

Thanks for spelunking this void with me. If you’re new to the Void of Celluloid, welcome. Feel free to spelunk some other voids while you’re here and follow me on other platforms by clicking the buttons below. We post regularly and stay up to date about what’s going on in horror today, reflect on what went on yesterday, and plan for a better, horror filled tomorrow. See ya next time.

Honesty is the Best Policy: Let’s Talk About Scream

on March 9, 2022June 22, 2022 By thevoidofcelluloid 1 Comment

As I stated in my article last Friday, I am really looking forward to some honest criticism about Scream. If I want to see it, I might as well contribute. I was part of the super hyped group that saw it opening day. While it met my expectations and exceeded some, there were a few fatal flaws that looking back on it–I wish there was a little more effort. Don’t get me wrong, the legacy cast killed it and I did appreciate and like the new cast of characters, but the story that revolved around them has quite a few plot holes and went weird directions.

Time has passed, so I think that it is now time to talk about it. If you haven’t seen it, stop here and go watch it, as this review will be chock full of spoilers. The twist worth the watch, as it is done pretty damn well. Nevertheless, let’s jump into 2022’s Scream.

The Opening Scene: what a bummer

Don’t get me wrong, the opening scene in Scream is intense. However, having it not be a kill really breaks tradition for all of the Scream films, as these openings are known for taking risks and killing off either very important characters or A-list actors. I guess the zinger was that she was still alive after all of that, but it just communicates that we might not have a as sinister and strong killer as we did in the past.

I think this movie would’ve benefitted from an event flip. A shocker to the audience would be the double kill that occurs about twenty minutes into the movie: Judy and her son Wes. It’s in the broad daylight–which had been done only once before in the franchise–plus a beloved character and the top theorized killer due to his namesake and the casting of Dylan Minnette. I don’t think this would’ve changed the events of the film, as after the opening credits, we can jump right into the scene with Tara, involving the new characters. It also involves the original characters a little earlier into the film and is the hard cutoff from the fourth film, as Judy was the only overlapping character that wasn’t one of the legacies.

Let’s Talk new Characters

Scream 5 Video Introduces The Franchise's New Characters

Of the ones that survived this new reign of terror, I do appreciate the sister power we have as our new “Sidneys.” They’re not meant to replace Sidney, obviously. However, I can definitely root for them for a few more films. However, I have a bone to pick with our lead, Sam. It’s not her fault, it is most definitely the writers reaching for straws, but we need to talk about the hallucinations.

I Love Skeet Ulrich, but…

Of all the past killers to bring back, they brought back Billy. Also, the timeline lines up for Sam, but also it is very narrow amount of time, with it only making sense that Billy slept with Sam’s mother the night of Stu’s party or somewhere within those days of the killing spree. Also, trying to turn him into a near anti-hero in the end and Sam mimicking his blade wipe–that did not leave a good taste in my mouth. Billy Loomis is bat shit crazy and took his need for vengeance a little too far. We don’t need to redeem him. However, I did enjoy Sam other than her daftness about going to Stu Macher’s house as if she did not grow up in that town immediately after the events took place. Most of all, I loved her as a team with her sister.

Siblings not done dirty

Finally, the Scream franchise is kind to siblings and doesn’t kill them off in brutal ways or make them wacko killers. We see Sam and Tara Carpenter as sisters who kick ass despite their shared trauma that separated them all of these years. Sure, the way they reintroduce each other in the hospital room was a little rushed and messy, but in that final showdown, we see the potential of what they can be, and when they put their brains together, they manage to make it out alive.

While Tara and Sam really delivered in a dynamic duo of final girls, it was Randy’s niece and nephew, Chad and Mindy Meeks-Martin. There was finally some relief from the pain of Randy being gone, as there is no doubt that he is their uncle. It is almost as if he has visited them beyond the grave and bestowed his witty wisdom. I think their inclusion as well as their survival (I was really worried about Chad there for a second) really felt like the apology for killing Randy so early and abruptly. I am excited to see them in the sequel, but as their uncle said, the stakes are higher in a sequel.

Let’s Talk about the Killers

Alright, I saw Jack Quaid being the killer from a mile away. However, I thought he would be the one to provide the tie to the original killers. It would’ve been so easy, as Stu was quite more of a sex maniac than Billy it seems. It would mean Richie actually being Stu’s son instead of the hallucinations and the Billy stuff. They could’ve found another way to bring Skeet back, but we all really wanted Stu back. Even Matthew Lillard wanted Stu back. Maybe they’re saving it for a rainy day. The man could’ve survived a TV to the head, it’s a horror movie for god’s sake, it doesn’t have to make sense.

Scream 5: All The Clues To The Killer Identity Twist

Speaking of things not making sense, how did Amber manage to lift Dewey into the air above her head? I think that was Scream‘s way of tiptoeing towards an invincible, super strong killer like the rest of the franchises have adopted. I mean, it took a lot to kill both of them in the final act. Mikey Madison even relived some of her stunts that she pulled in Once Upon a Time in Hollywood, except it was a stovetop, not a flamethrower. The thing that I liked about Scream’s killers was the human element. The crazy, unhinged human element. It sets them apart from previous killers, and not in a good way. However, they were on that same level of batshit crazy, so their actions around their oddly super strength demeanor sold them over all as Ghostfaces.

Finally: THe Legacy Characters of the Scream franchise

Oh, Dewey. I bawled in the theater due to Dewey’s death, as it felt like they ripped out and stomped on the heart of the series. However, I knew that is what would have to happen for Sidney to even come back to Woodsboro, and the movie laid it out as so. It was so good to see all of them again, however. I also like how their lives ended up, as they are very human and very unpredictable. Sidney ending up with Kincaid was a good little easter egg and made me happy that she found happiness and trust in a partner again. The first two movies made us think that would never happen, and it would be justified.

Scream 2022 Ending Explained - FandomWire

Gale is in the best position that Gale could be in, and I was grateful that she wasn’t the bad guy that ended things between her and Dewey. This allowed for no bitterness between them in their final moments and nothing but mutual love without the will-they-won’t-they element. I think that drama that was present in the previous films would’ve taken away from how gut-wrenching it was to say goodbye to Dewey, for both the audience and Gale.

It wouldn’t go without saying that I wish that we could’ve seen more of them, and they had more driving forces in the story. However, if the Scream franchise is going to continue, we have to say goodbye as we can’t watch another one of them die. It is a salute to both Wes Craven and Sidney Prescott from the horror genre. Together they revolutionized the final girl and broke down all of the rules that they had to abide by.

In Conclusion: Scream is worth your time

If you are a horror fan and love Wes Craven as much as I do, please watch the newest Scream if you haven’t already. While there are some plot holes and it might not have the payoff that some of us were wishing for after all these years, it is still a wild ride that is worth the experience at least once–it definitely isn’t as rewatchable as the others are. It is heartfelt at times, nostalgic in others and reads as a love letter to its creator, gone seven years now. The horror family misses and loves you, Wes.

Do you agree with the critiques marked in this review? Let me know your thoughts either on Twitter @OfCelluloid, Instagram @TheVoidofCelluloid, or on Facebook under the page The Void of Celluloid. Make sure to follow and sign up on the mailing list if you would like to receive more content of the sort and I will catch you guys in the next void. See ya soon, Spelunkers.